First thing’s first: you may, in fact, be wondering about the rather stark difference of name. Yes, she was a female author that took upon herself a male pen name–an act, she noted, undertaken to guarantee her works would be taken seriously, and likely to safeguard her privacy as well. The limitations the stereotypes of gender put upon an author, she seemed to feel, were that women struck up romances, while men took up the loftier works of society–thank goodness time has beaten that engrained belief into a fine and scattered pulp.
Born to life on a farm, education was, for her, nevertheless a thing of voracious appetite. She devoured all that tutors, school, and her own explorations could unveil. Eventually, she would go on to editorship (officially, assistant editor–but she actually did most the running of the business) of The Westminster Review. Though she began to contribute pieces to this magazine, her works also began to make gradual prods out into the larger market. Success lay in her future, however–by the end of her days, Queen Victoria of England herself proved to be an avid reader and promoter of Eliot’s work by the end of her days.
Many of her works were rural in setting, and deeply psychological. She had a knack for character, and her methods and skill would go on to inspire future writers as well, Virginia Woolf among them.
Count That Day Lost
If you sit down at set of sun
And count the acts that you have done,
And, counting, find
One self-denying deed, one word
That eased the heart of him who heard,
One glance most kind
That fell like sunshine where it went –
Then you may count that day well spent.
But if, through all the livelong day,
You’ve cheered no heart, by yea or nay –
If, through it all
You’ve nothing done that you can trace
That brought the sunshine to one face–
No act most small
That helped some soul and nothing cost –
Then count that day as worse than lost.