Tags
Edmund Spenser, Italian Sonnet, John Milton, Petrarchan Sonnet, Rhyme, Shakespearean Sonnet, Spenserian Sonnet, Tony Maude, William Shakespeare
Hello and welcome, poets everywhere. My name is Tony Maude and it’s my pleasure to introduce this edition of Meeting the Bar.
Last time that I was behind the bar, I began what I hope will become a series of articles looking at the various aural devices that are available to us to give our poetry its distinctive, individual sound. It is the individual and distinctive ways that each of us uses rhythm, alliteration, assonance etc that combine to form our unique poetic voices.
Today I’d like to consider another of these poetic devices; rhyme.
A Brief History of Rhyme
“If it doesn’t rhyme it isn’t poetry.” I wonder how often you have heard this, or a similar sentiment, expressed, usually as a judgement about modern poetry (i.e. poetry of the past 150 years or so). When asked what makes writing poetry, the vast majority of people will soon fix on the presence of rhyme as a defining characteristic of a poem. But it hasn’t always been so.
The roots of formalised poetry can be traced back at least as far as the Ancient Greeks, but the concept of rhyme was completely unknown to them. Their poetry depended on the rhythms produced by using strict patterns of long and short syllables. To put that in poetry terminology, it is meter that was the hallmark of classical Greek poetry, and as I shared last time, it is meter or rhythm that is still the foundation onto which poems are constructed.
However, the roots of English language prosody lie not in classical Greek, but in Anglo-Saxon and Old English. These languages are not syllabic, but accented. Modern English is still a tonally accented language; when we speak we (unconsciously) stress some parts of words and sentences more than others. Anglo-Saxon poems are not constructed around syllables, but on the number of stressed words. In a line of Anglo-Saxon verse there are always four stressed words; three alliterate, the other does not. (For more on this, see both the article I wrote here and Beth’s article here.)
So where did rhyme come from and how did it find its way into English poetry? According to Frances Stillman’s The Poet’s Manual (you really should have a copy of this; you literally can buy it for pennies or cents, depending on where you are in the world) rhyme first came into use in the hymns and chants of Latin-speaking churches in North Africa around 200 CE. The use of rhyme in sacred poetry and music spread quickly.
During the Dark and Middle Ages, rhyme, as well as alliteration and assonance, was a major component of popular poetry, both in Latin and in the emerging modern languages of Provence, France and Italy, becoming almost universally accepted (the Spanish kingdoms were the exceptions to the rule) in European poetry by the 14th Century. Rhyme first appeared as a major component in English poetry during the time of Chaucer, when English language poets came increasingly influenced by French and Italian writers.
John Milton (1608 – 1678)
The fashion was not always popular. John Milton (above) was particularly abrupt in his opinion. He deplored this troublesome and modern bondage of rhyming, pointing out (correctly) that rhyme was no necessary Adjunct or true Ornament of a Poem or good Verse … and even went so far as to call the use of rhyme both trivial and the Invention of a barbarous Age, to set off wretched matter and lame Meeter.
However, despite Milton’s vehement protestations, rhyme was – and still is, perhaps because most of the poems we (are forced to) read at school are rhymed poems, perhaps because for many of us rhymes form such an essential part of our earliest memories – a major element of English language poetry. Stephen Fry in The Ode Less Travelled claims not to be able to think of an English language poet who never uses rhyme – and who am I to disagree?
But all of this begs the question
What is Rhyme?
According to Stillman,
Rhyme in verse is the repetition, in the lines of a poem, of the same end sound or sounds. Rhyme is composed of the last accented vowel in a line and any consonants and unaccented syllables that may follow it.
I hope that is clear … smiles. No! Ok, let’s look at what that means.
The first part of a rhyme is the vowel in the last stressed syllable of a rhyming word, but it takes more than that to make a rhyme. The closing consonant(s) and/or syllables should be the same, but the preceding consonants or syllables should not. So …
Cat forms a perfect rhyme with mat, bat, hat, that etc, but not with map (the final consonant is different).
Vowel forms a perfect rhyme with trowel, towel, howl etc.
Being forms a perfect rhyme with seeing, freeing, fleeing etc, but not with sing, hoping or rhyming (the ing syllable is unstressed in being, hoping and rhyming and so does not form part of the rhyme. In sing the ing sound is part of the stressed syllable).
Nay rhymes with may, say, sleigh, delay, ballet, Saturdayetc, but not with neigh. (Nay/neigh are identical sounds, not rhymes although I have heard the use of homophonic pairs of words like this referred to as perfect rhyme.)
Of course, if your pronunciation is different to mine, then it is possible that not all words that rhyme for me will be rhymes for you and vice versa. For example, for me Edinburgh rhymes with thorough and Curragh, but not with throw or flow … smiles.
Strictly speaking, Stillman’s definition above is not a definition of rhyme, but of Full End Rhyme. A Full Rhyme is one that has the same stressed vowel sound and the same closing consonants and syllables. If the stressed syllable is the last one in each of the rhymed lines then we have Full End Rhyme.
Rhyme can also occur within a line. This is internal rhyme – and I’ve got nothing else to say about that. As a seller of wood-treatments here in the UK claims, It does what it says on the tin.
Near-rhyme
Stay with me here, we’re almost done with rhyme. There is one more category of rhyme, which goes by a variety of names. Near-rhyme, slant-rhyme, half-rhyme and para-rhyme (I’ve never heard it called that, but it’s included in the glossary of Peter Sansom’s book Writing Poetry, someone, somewhere must use this term) occurs when some of the rhyming sounds are present, but not all of them.
So…
Cat and bag, cat and cot, and orange and Boris are all near-rhyming pairs.
The Problem with Rhyme
Notwithstanding Milton’s complaints about the bondage of rhyme (sounds like the name of a poetry collection or an anthology to me … smiles) the real problem with rhyme is that too often its use results in poets using unnatural language, word order inversions and all manner of other schemes and tricks to force their rhyming words into the right places. But all of that leads to poems that sound forced and unnatural … and we should try to avoid that … smiles.
If we combine what we have (re)learned about rhyme with the rhythm that we were looking at last time I was behind the bar, we have almost all the ingredients of form poetry to hand, since many poetic forms are the result of overlaying particular rhythms – better still metres – with a scheme of rhymes. The king of rhyming forms – at least in my opinion – is the sonnet.
Three Sonnet Variations
At this point I could rehearse the history of the sonnet, but if there is ever to be an end to this deathless epic, then I probably better not. All that you need to know is widely available on the Web. If you want it in a printed form, Don Paterson’s book 101 Sonnets gives a thorough, but not too detailed history and appreciation of the form.
For our purpose today, we need to know that a sonnet is a fourteen line poem, usually written in iambic pentameter (i.e. each line has the following rhythm
and ONE and TWO and THREE and FOUR and FIVE)
There are three basic sonnet forms.
The Petrarchan or Italian sonnet is divided into two parts, an octave and a sestet (eight lines and six lines respectively). The octave has the rhyme scheme abba abba, while the sestet is rhymed cdecde, cdcdcd or cdccdc (other variants are sometimes found). Thus, to write a Petrarchan Sonnet, you need to have 4 or 5 sets of rhymes, depending on your treatment of the sestet.
Here is John Milton’s On His Deceased Wife which shows all this clearly (and also shows that he was able to write wonderful rhyming poetry despite his protestations about rhyme):
Methought I saw my late espousèd Saint (a)
Brought to me like Alcestis from the grave, (b)
Whom Jove’s great Son to her glad Husband gave, (b)
Rescu’d from death by force though pale and faint, (a)
Mine as whom wash’d from spot of child-bed taint, (a)
Purification in the old Law did save, (b)
And such, as yet once more I trust to have (b)
Full sight of her in Heaven without restraint, (a)
Came vested all in white, pure as her mind: (c)
Her face was veil’d, yet to my fancied sight, (d)
Love, sweetness, goodness in her person shin’d (c)
So clear, as in no face with more delight. (d)
But O, as to embrace me she inclin’d (c)
I wak’d, she fled, and day brought back my night. (d)
The second major sonnet form is the English sonnet, usually referred to as the Shakespearean sonnet because he was such a whizz at them.
William Shakespeare (1564 – 1616)
The Shakespearean sonnet uses seven pairs of rhymes as follows; abab cdcd efef gg. Note especially the closing couplet, a feature that is never present in a Petrarchan sonnet. And here, by way of example, is one of the Bard’s most famous sonnets, Sonnet XVIII:
Shall I compare thee to a Summer’s day? (a)
Thou art more lovely and more temperate: (b)
Rough winds do shake the darling buds of May, (a)
And summer’s lease hath all too short a date: (b)
Sometime too hot the eye of heaven shines, (c)
And often is his gold complexion dimm’d: (d)
And every fair from fair sometime declines, (c)
By chance or nature’s changing course untrimm’d: (d)
But thy eternal Summer shall not fade (e)
Nor lose possession of that fair thou owest; (f)
Nor shall Death brag thou wanderest in his shade, (e)
When in eternal lines to time thou growest: (f)
So long as men can breathe, or eyes can see, (g)
So long lives this, and this gives life to thee. (g)
A third – and much less common – sonnet form was developed by Edmund Spenser.
Edmund Spenser (1552 – 1599)
The Spenserian sonnet has a scheme of 5 rhymes laid out as follows: abab bcbc cdcd ee. Here’s an example of that, Whilst it is Prime by Spenser himself:
Fresh Spring, the herald of love’s mighty king, (a)
In whose cote-armour richly are displayed (b)
All sorts of flowers, the which on earth do spring, (a)
In goodly colours gloriously array’d – (b)
Go to my love, where she is careless laid, (b)
Yet in her winter’s bower not well awake; (c)
Tell her the joyous time will not be stay’d, (b)
Unless she do him by the forelock take; (c)
Bid her therefore her self soon ready make, (c)
To wait on Love amongst his lovely crew; (d)
Where every one, that misseth then her make, (c)
Shall be by him amearst with penance due. (d)
Make haste, therefore, sweet love, whilst it is prime; (e)
For none can call again the passèd time. (e)
As I say, these are the three main sonnet variations; there are lots of others, but we really do need to move on. And so, without any further ado (at last, I hear you say … smiles) to …
The prompt.
Today’s prompt is for sonnets, which represent an almost perfect marriage of poem length, rhyme and metre. Any form of sonnet on any subject will do; the challenge is in the combination of metre and rhyme that the sonnet form(s) call for.
Here’s what to do now:
• Write your sonnet and post it to your blog.
• Add a link to your poem via the ‘Mr Linky’ below.
• This opens a new screen where you’ll enter your information, and where you also choose links to read. Once you have pasted your poem’s blog URL and entered your name, click Submit. Don’t worry if you don’t see your name right away.
• If you write more than one sonnet, it’s OK to link them separately … smiles.
• Read and comment on other people’s work to let them know it’s being read.
• Share your work and that of your fellow poets via your favourite social media platforms.
• Above all – have fun!
claudia said:
wow tony… a very informative article… what i love about sonnets is that you can fall into their rhythm and rhyme – but there def. is the danger to use words you wouldn’t use normally or use them in a strange way – but then – sometimes that can work well as well…smiles… happy 1st of may!!
Tony Maude said:
Sometimes it can work, but usually it’s not a good idea. Of course, the classical poets were not averse to word order inversions and using expletives (unnecessary words – Spenser (above) has do spring in his third line when spring makes perfect sense, but wouldn’t maintain the iambic meter – and that’s not the only example of strange word choices and/or order in that poem … smiles
Björn Rudberg (brudberg) said:
the puzzle of words is what’s so intriguing in writing a sonnet I think… but of course sometimes I might take swenglish liberties on the English language *smiles*
Tony Maude said:
Your English is infinitely better than my Swedish, Björn
Björn Rudberg (brudberg) said:
🙂
Tony Maude said:
And Milton gives us did save when saved is the right word for his meaning … and as for the way iambic meter invites us to pronounce Purification at the start of that line … well, we’d better draw a veil over that …
Interestingly, on pronunciation, Milton rhymes save with have which is a valid rhyme because he was writing before ‘the great vowel shift’ occurred in the English language.
Tony Maude said:
Screeches into the bar 10 minutes late … smiles.
Two excuses; first, my wife took me out for a meal before she goes away on Guide camp for the weekend, and
second, when I turned my lap-top on, to log-in here, Adobe decided that would be the perfect time to update Flash … grrr.
So, welcome to the Pub everone and happy Thursday/Friday to each and every one of you … smiles.
claudia said:
ha – nice.. i hope you had a wonderful meal and enjoyed the time with your wife before her weekend away
i’m watching germany’s next topmodel with my daughters – so will be in and out…smiles
Björn Rudberg (brudberg) said:
I have been sitting in anticipation for the pub to open the whole day.. exciting indeed… but I would hate to take an update right before the pub opens… hmmm I have laptop ipad and iphone ready … but hey I’m a geek.
Björn Rudberg (brudberg) said:
This was a perfect prompt for me today.. and I love your article… I tried to also include a volta.,,, really enjoyed to spend my early morning (no work today) to write a poem where the dark lade is replaced by a biker girl.. this was a lot of fun to write….
Tony Maude said:
Ah yes, the volta …
we might consider that another time,
today our focus is meter and rhyme.
Björn Rudberg (brudberg) said:
Volta .. so similar to the cuttingword in haiku… yes a good topic.
biggerthanalasagna said:
Tony, I always look forward to your posts! I am always able to learn something new. My post today is not on prompt, so I won’t link it. However, if it is okay, I wanted to put a link here to my blog. I wrote about #BringBackOurGirls. Since y’all are online anyway, would you please consider hashtagging #BringBackOurGirls to bring awareness. Thanks! I’ll stop by later to enjoy the links on Mr. Linky!
http://biggerthanalasagna.blogspot.com/2014/05/bringbackourgirls.html
Tony Maude said:
Good to see you here – and I think it’s OK to link in your comments to work that’s not ‘on prompt’. Am I right bosses?
And even if it wasn’t, for this – and similar issues – I would waive whatever rules there were anyway.
PS – thanks for your very kind comment on the article; my inner teacher is smiling.
biggerthanalasagna said:
Thank you Tony! I appreciate the opportunity to spread the story.
claudia said:
it’s good to raise awareness heidi… retweeted it with both – my and the dVerse account
biggerthanalasagna said:
Thank you Claudia!
Björn Rudberg (brudberg) said:
I sent it out on twitter.. I agree this is terrible..
biggerthanalasagna said:
Thank you Bjorn!
billgncs said:
wow – but did the folk poems use rhyme – or singing ? Is primitive singing just metric ? This was very insightful, thanks.
Tony Maude said:
Which came first, the lyrics or the tune? And the answer is probably both! I know that some songwriters write words to fit their tunes, while others fit the tunes to their words.
Interestingly, the original handwritten copy of Dylan’s Like a Rolling Stone were up for auction today – complete with possible alternative rhymes, so it looks like he writes words before the music – or at least he did for this song.
shanyns said:
Hmmmm a challenge! I hope the air seeders let me do some poetry! 🙂
Tony Maude said:
You know you can usually rely on me for a challenge … smiles. Nice to see you, Shanyn – and I hope you get the time to do some writing. If not, my sonnet has ready made excuses for you … smiles again.
claudia said:
smiles… procrastination can be an art…smiles
off to bed…. will catch up tomorrow morning….
Björn Rudberg (brudberg) said:
But writing a sonnet can be a procrastination for other things 🙂
Björn Rudberg (brudberg) said:
Sorry… I simply had to do a spenserian sonnet as well… anyone who are not up to reading two of mine is free to skip it… but now it’s bed time for me.
brian miller said:
whew…ok tony, i am working on mine…the first draft needs some work…and i am about to head out on a date night…so this evening i will work on it and give you what i got…and then get to reading…smiles.
Tony Maude said:
Sonnets are quite a challenge – although Shelley is reputed to have written Ozymandias in 15 minutes.
Have a good evening, and I’ll catch yours tomorrow.
Grace said:
Writing sonnets are not my forte specially with rhyming verses ~ But I tried to come up with a love poem in sonnet form based on a real love story ~
Thanks for the informative post Tony ~ Wishing you all Happy Thursday ~
Tony Maude said:
I can’t remember who it was, but one of the early champions of free verse was asked how a poet could learn to write it. His reply was, “Write sonnets.”
They’re not easy, but like most things, they become less difficult with practice.
Grace said:
I will be back to respond to visits as I have to attend my 2 hr dancing class, ha ~
brian miller said:
oh you are taking dance?
what type?
Grace said:
Line dancing but its fast like samba type ~ Good exercise ~ Hope your night is going well ~ Quiet here for a change, ha ~
brian miller said:
very cool…there is a salsa place down town that i have been meaning to try…
def good exercise….
Tony Maude said:
Time for me to go and catch up on my beauty sleep – plus my lap-top needs a recharge too … smiles.
I’ll be round tomorrow to see what gifts arrive overnight.
Grace said:
See you tommorrow Tony ~
ramblingsfromamum said:
Thank you Tony, I have SO much to learn it seems, good grief! I shall try if I have time, today will be a busy day and Mr. Linky may close by the time I get a break.
Tony Maude said:
If Mr Linky closes, drop a link in the comments. I’ll be keeping an eye out; sonnets can take quite a while to construct. Just keep one eye on the meter and the other on the rhyme scheme and you’ll be fine.
My first sonnets were really ropey; I think I’ve become a little better with practice.
ramblingsfromamum said:
So encouraging Tony, thank you, I shall try, the hours are fading fast, but I shall try my upmost. Meters, rhyme scheme… even the thought of it does my head in ~ smiles.
Tony Maude said:
Just take your time, Jen. I’m sure you’ll manage it … smiles
ManicDdaily said:
Hey Tony– I am just coming off of writing a lot of poems for April– I have one recently written that is actually about shakespeare but not a sonnet and a few sonnets– in Shakespearean rhyming scheme– somehow I think shakespeare one would be more interesting to you but happy to link any– let me know– wonderful exploration of sonnet and rhyme here. I love sonnets. I find them a very good form for when I don’t know what I want to write about as the form alone helps me come up with something. K.
Gay Reiser Cannon said:
Hi Tony – I’m glad you’re addressing sonnets again. It’s good to sharpen the pencils and get down to basics. I wrote my first curtal sonnet in the April bunch. I am very keen to write a graduation poem as I have THREE coming up, the soonest next week as my granddaughter is graduating from Vanderbilt Univ. So I will struggle to see if I can squeeze something congratulatory or whatever into a sonnet for her and post before the clock goes off your prompt. Cheers Tony! It’s always great to have you behind the bar!!
Grace said:
Congrats to your 3 graduates Gay ~ Until now I still struggle with sonnet form so its good to sharpen the pencils from time to time ~
Gay Reiser Cannon said:
Well it’s hardly Shakespearean in quality, but I gave it a go. I think it’s acceptable. My friend and I are arguing about the last couplet, Tony. Does it have to be a true rhyme if it’s a couplet? I used a half-rhyme as that’s my usual mode. I think I should know if it MUST be a true rhyme even though on this one I doubt I will change it.
brian miller said:
nice…congrats on the graduation….my oldest will be graduating to middle school this year….oh my…ha…
Gay Reiser Cannon said:
Oh they were so little when we began. They grow up fast! Treasure that time.
Tony Maude said:
I doubt whether contemporary poets would choose to restrict ourselves in this way.
Victoria C. Slotto said:
Tony, you give us such a good overview of the form here. I love writing sonnets and, actually, the discipline of form–especially when I’m stuck. This week is overwhelming to me for several reasons, but I will try to write one, though most likely I won’t post it now because I know I won’t have time to give adequate attention to commenting for another week to 10 days. Thanks so much for this.
brian miller said:
to bed for me…
be back in the morning to read…
CC Champagne said:
Yikes! You’re not all about making my life easy are you? 😉 Too tired to wrap my head around this one last night (sonnets don’t come easy to me), but will try to put together something passable today… Thanks for a challenging prompt! *grumble, grumble*
claudia said:
oh yes – i too think sonnets are quite challenging to write – but always good to stretch those poetic muscles – glad you wrote one
Tony Maude said:
You rose to the challenge really well … smiles
CC Champagne said:
Thank you very much, Tony! *blushing* Haven’t had a chance to go read everyone else’s yet, though so feel like a bad participant… Hope to make up for it tomorrow. Thanks, once again for a challenging prompt – and a wealth of information!
Sumana Roy said:
Thanks for the great challenge but i must confess that I gave in to rhyme and did a bit inversion 🙂
claudia said:
psssh…. we won’t tell shakespeare… smiles
claudia said:
i would love to be able to dream in sonnets just for one night…that would be fun…smiles
http://vivinfrance.wordpress.com said:
Tony, thank you for this wonderful exposition. I’d thought I was poemed out with Napowrimo, but cannot resist a sonnet! I’ve just put together two collections of various kinds of sonnet (more than 40 of them) but I haven’t yet tried a Spenserian one, so I must get to work to fill the gap!
http://vivinfrance.wordpress.com said:
I wrote a sonnet years ago which began “I’m starting to think in iambics” –
which did lead to dreaming in verse!
jo-hanna said:
My – you wrote a book here!
“All you need to know to write a decent sonnet”
of possibly: “Sonnet writing for Dummies?”
Seriously, a very exhaustive expository essay. Thanks for putting it all in there for us.
jo-hanna said:
Wanted to say that I so dislike recognizing my own or others’ rhyme-driven stanzas, that I mix up the 3 main rhyme schemes if necessry. Besides, the writing is more fun that way.
Also, it doesn’t bother me if there is the occasional rhymeless line in there. Rhythm, yes, but not up to the point of obsession.
I love T. S. Eliot ‘s:”No verse is free for the man who wants to do a good job.”
Maybe I have reached my signature form? Or possibly I’m just slouching in a rut.
Tony Maude said:
I agree on rhyme-driven stanzas, but the skill in working with rhyme is to make it the servant of your thoughts and not the master of them. It can be done, but it isn’t always easy. It also comes more naturally to some people than to others … smiles
http://vivinfrance.wordpress.com said:
Tony, the dates under the Milton portrait make him nearly 2 years old! should be 1608-1678.
http://vivinfrance.wordpress.com said:
Oh dear, it’s catching: two hundred!
Tony Maude said:
Thanks Viv. I don’t know how I let that slip by, but I’ve corrected it now … smiles
freyathewriter said:
A great prompt, Tony. I’m glad I wasn’t too late to take part. Thank you for sharing your knowledge with us. I had great prose literature teachers at school, but poetic form just wasn’t taught.
Tony Maude said:
We studied the First World War poets; imagine my horror when I discovered that Anthem for Doomed Youth is a Shakepearean sonnet. No-one bothered to point that out to us!
freyathewriter said:
Good grief – so it is. I had no idea – and the First World War poets were my favourite poetic subject matter.
Madhura said:
Hi Tony.. what a great prompt, thanks for explaining so well, I learn a lot.. I’ve just popped in here for a quick read.. I’m afraid won’t have the time to write a sonnet.. Also, I don’t think i’m that brave (meters and rhymes are still a bit of a challenge for me) It would take me ages till i’m nearly satisfied with what I’ve written! I’ll surely try one as soon as i can… 🙂
Madhura said:
Look at that, I found some time and I wrote a sonnet… Just in time before the linky closes it seems… I would really welcome any tips and suggestions and criticisms.. I don’t have much confidence in form 🙂
Tony Maude said:
Just popping round to read now, Madhura … smiles
Tony Maude said:
6 hours left on the Linky. I’ll be back in the morning (UK time) to check for any last minute arrivals – and to clean the bar ready for next week … smiles
hypercryptical said:
Thanks for the excellent prompt Tony – bit of writers block with the close though…(These things are sent to try us!)
Have a wonderful weekend.
Anna :o]
Susan said:
Ha! I made it! Tony, I tried the Spenserian sonnet as it is a new one to me. Hope I haven’t made too much of a pickle of it when it should be a chocolate truffle.
Tony Maude said:
Thanks to everyone who joined in with this challenge; I’ve enjoyed reading every single submission. At least one person has written their first ever sonnet, so I’m really stoked about that.
Sonnet writing is not as easy as some people make it look, nor is it to everyone’s taste. I wonder how many of Shakespeare’s attempts finished up in his reject pile … smiles.
I think we’ll come back to sonnets – or sonnet-like poems – in the not-so-distant future, unless the howls of protest are overwhelming … smiles.
Now to tidy up around here, so that everything is ship-shape for Monday.
Grandmother (Mary) said:
I found this article fascinating since I’m hungry for information about poetry. My science based major had me missing all this at university. This is more of a sonnet- like entry but I enjoyed the process of linking it up with a prompt about The Little Prince.
rosross said:
I have been travelling but also Dverse is no longer appearing in my mailbox. I am not sure why but looked it up today and missed this post completely. Linky has closed but will post here: