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Beth Winter, FormForAll, Gay Cannon, Jan Turner, music inspired, poetry, poetry sharing, Staccato
Today I am honored to welcome Beth Winter to host FormForAll. Beth has been a supporter of dVersePoets from the beginning and every week I am once again impressed with the quality of the poems she writes. A few weeks ago, she wrote an excellent and charming poem that entranced me. She had noted that the form was called a Staccato. I asked her very soon afterwards if she would present the form for us one day at FormForAll. Today is that day, and I’m so happy to share this article with you! You can read her poem “Empty Nest” here and you can link to her poetry blog here: Eclipsing Winter Here’s Beth:
Think of high heels crossing a tile floor, that rapid-fire, crisp delivery of sound broken by silence broken by sound. Staccato, which is Italian for detached, has long been a musical notation used to shorten a note’s duration and separate it from the following note with silence.
Jan Turner, an immensely talented poet and author, invented this poetry form, The Staccato, which utilizes the meaning of the word to emphasize specific thoughts in the poem through the use of internal rhyme, short repeated phrases and exclamation points.
The challenge for today’s FormForAll is to write a poem in the Staccato form. It consists of two or more six-line stanzas with a set syllable count and rhyme scheme. There is not a meter requirement (as in rhythm) however, the structure of the form injects a staccato rhythm that is especially noticeable when read out loud. It uses short repeats, abruptly disconnected elements, such as the staccato in music and lends itself to strong emotion or commands.
Form Description:
Two or more six-line stanzas
Rhyme scheme: a,a,b,b,c,c Syllables: 10,10,8,8,10,10
*Two-syllable repeats appear twice consecutively at the beginning of L3 followed by an exclamation mark and once again at the beginning of L6, with or without the exclamation mark.
*In addition to the repeats, the form requires an internal rhyme interplay between L1 and L2 of each stanza, usually the sixth syllable in each line.
Seeing is often easier than describing. The following Staccato was written by Jan Turner and is provided as an example of the form on the Shadow Poetry site. The internal rhyme is highlighted in bold as a visual aid.
The Mentor
The world demands your will to run life’s course;
great dreams you must fulfill with no remorse.
Buck up! Buck up! Be at the gait
and ready charge onto your fate!
Each day the challenge will not wait… and so,
Buck up as headstrong you must forward go!
Tomorrow you shall rise to meet each test;
each challenge you surmise will be a quest.
Chin up! Chin up! Be proud and strong
for something ventured can’t be wrong!
You’ll come back wiser, brave with head held high;
chin up, stand tall and reach up for the sky!
Experience will teach you at each turn,
as ev’ry goal you reach will help you learn.
Press on! Press on! With each good deed
see others follow at your lead!
Become a beacon shining in the night…
press on with hope and all will turn out right.
Copyright © 2009 Jan Turner
This form may look somewhat familiar to you. I have shared two poems written in this form here at dVerse, most recently the call and response, Empty Nest. Now it is your turn to try your pen at the Staccato poetry form. I look forward to what you offer.
With great appreciation, I must thank both Jan Turner and Shadow Poetry for their incredible contributions to this article.
—
Jan Turner is a poet and short story author, illustrator and fine arts painter. She received a B. F. A. in Studio Arts from Old Dominion University, Magna Cum Laude, in 1993. She created nine poetry forms launched by Shadow poetry from 2006 to 2011 (The Alouette, The Florette, The Florette (Form No. 2), Inverted Refrain, The Staccato, Tri-fall, Trijan Refrain, Wrapped Refrain, Wrapped Refrain (Form No. 2). She is the author of four chapbooks: The Magical Nine, Reflections of The Inner Eye, A Shift in Time and Time with You, and coauthor with Emily Romano of Faery Folk & Fireflies, published by Shadow Poetry Press, Excelsior Springs, Missouri (www.shadowpoetry.com). She contributed poetry, flash stories and art in the SP Quill Anthology: Poetry, Stories and Articles from Volumes 1-20 and in Among the Lilies, A White Lotus Anthology, both published by Shadow Poetry Press(c)2008, and A Poetry Bridge to All Nations: A Poetry for Thought Member Collection Volume I, LuLu Enterprises, Inc. (c)2009, http://www.lulu.com.
Some of her writing awards include: Shadows Ink Chapbooks: Series 2, Volumes 3, 4 (3rd place winner), 5 (2nd place winner) and 6 (first place winner); 9th Biannual Chapbook Competition by Shadows Ink Publications 2007; White Lotus Editor’s Choice Award – Spring/Summer 2007 Issue #4; Flash Story Contest-Highly Commended, SP Quill Summer 2008 Vol.19; numerous Shadow Poetry contests (Rhyme Time, Little Bitty and Seasonal) and challenges at the Yahoo private poetry forum Poetry for Thought, including 2009 Poet of the Year.
Gay, Thanks so much for inviting me. There are a wide variety of invented forms, each beautiful in its own way. I have a muse that likes to go on benders (she may be here in the pub! If you see her, send her home) and when she does, I find a different form to write. Eventually, she gets frustrated at me having fun without her and comes racing back to join in. This is one of those forms. The rhyme scheme, shifting syllable counts, internal rhyme and repeats make this an adaptable form to most themes. I hope everyone enjoys penning this one.
Beth
(Off to a vet appointment. I’ll be back soon)
Beth you rock! Perfect
*hug* Hello, Luke
You are so welcome Beth. Certainly this is your home here at the pub. Here in the “states”, this week is Thanksgiving. I feel I have so much to be thankful for. It’s been a roller coaster of a year for many of us, but the support and community here has provided us for a place to go for inspiration, for rant and venting, for praise, for beauty, for nature, and for sharing our muse.
Today I brought pies and cookies. They’re over by the hot tea and coffee. We’re meeting in the corner as usual. (And for the Brits, I thought I’d share a delicious fresh pear trifle — yum!) So come on y’all. Get your pencils out. This wasn’t half difficult and proved to be lots of fun. And as it’s after 5 o’clock somewhere, step up to the bar if you want something stronger!
why didn’t i have pear trifle when i was in england…? goodness..
http://beta.abc.go.com/shows/the-chew/recipes/Thanksgiving-Clinton-Kelly-Ginger-Pear-Trifle
Pear Trifle Recipe
oh, now I’m starving
hmmm…need to try this…will invite you over then for a chat and a bowl of pear trifle..smiles
Beth and Gay…this is fantastic and so up my alley! Drowning in file folders prepping for audit right now…but once my time is my own you can be sure I’ll be back to link up! Thanks so very much Gay, for bringing Beth and this form to us…it’s music to my ears 🙂
If only we could live without paying jobs, but we can’t. Everyone understands. Come as soon as you can!
Drowning in file folders is quite a visual. I hope a lifeguard comes running in slow motion video to rescue you! 😀
beth…so great to see you hosting tonight…and an excellent article you’ve prepared for us…love the staccato form..already read gay’s take on it and looking forward to reading some more.. not sure if i manage to write one..quite busy at work at the moment…so we’ll see – but wil be around..
Hope we get to know your composition. Always musical, and always unique. If not now, sometime I hope!
Thank you, Claudia. Busy seems to be the status of many of us lately. Just find some smiles. That’s the most important part.
I know I’ve seen you use this form to great effect, Beth. It looks fascinating, and I want to take a shot at it. Be back later if anything gels. Thanks for hosting today and bringing such a tasty form our way, and thanks to Gay for all those cookies and other trifles.
Cookies always make the evening better 😀 but so does a bit of red wine. So glad you stopped in and if anything gels, please let me know. I’d love to see it.
Interesting form – make note to self must not go to the dark side when writing the poem…(sigh failed ;-()
John,
You did not fail with the poem. I loved it. You shifted at the second stanza, much like the volta in a sonnet and turned the tone of the poem. I think it is fabulous both in theme and presentation.
Me too!
I am so looking forward to having a go at this musical form. But I’m poemed out for today, so I shall hope to come fresh to it in the morning. Thank you both.
Poemed out is actually good when you think about it. That means you’ve been writing. Stuck is bad. Poemed out is good. I look forward to your offering if the morning offers fresh ink for you.
How fun! Thank you Beth and Gay. Not sure I’ll have time to do one this week as I’m in a catch-up mode, but this is a form I’d love to try.
Victoria, if you do try this form, please let me know. I’d love to see it. Now, catch up so you can play 😀
great job beth and gay…just getting off work…so will play with this a bit tonight and see what i can come up with for you for tomorrow…
Thanks Beth and Gay for a wonderful challenge!
So much fun trying to write in this style! Thanks for the challenge!
Whew! Never heard of a Staccato Poem before this assignment! It was a push, but I did it! Thanks for the lesson!
Beth/Gay Thanks for cohosting Form For All tonight. It was nice to get an illustration of what this form entailed. Believe it or not, in all the books on form I have, this one’s not included. I had seen them done before and even tried my hand here and there, but you can only get so far by mimicry alone. You never really know if you have it down or not without knowing the ins and outs. So thanks for that, I look forward to reading the others offerings and hope I adhered to the form myself. Thanks again
Hi. I also am really busy right now and wasn’t sure I could manage this, but given that I live in NYC, I don’t have to drive and today was treated to a somewhat delayed subway so had a while to scribble on the train! Then I had the walk to review it in my head, and by that time I was sort of hooked. I did a super grisly drawing, sorry. And although I enjoyed the form, I tend to go to the traditional. (But this may be laziness on my part–I’m used to thinking of the old forms and have a bit of a hard time pushing myself.) Anyway, all interesting. K.
PS–yours Beth and yours Gay were amazing. I was even more impressed after trying my own!
K.
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Ok, I gave it a try–based on a personal medical emergency! Thanks for the education, Beth. I’ve used Shadow Poetry quite a bit for showing me different forms to try.
The urgency in your poem is palpable. You have demonstrated the versatility of the form and created a unique expression. Truly enjoyed.
I so appreciate your remarks, Beth–thank you.
I had to leave for a vet appointment but I’m back for about an hour or so. I can’t wait to see what lies on the other side of those links. It looks like I’ll even have reading material for tomorrow, too. 🙂
this was a brand new experience for me…for which I’m appreciative. I actually did it! the feeling’s good. thanks Beth & Gay.
Oh, thank you! I’m so glad you stepped into form as a method of expression. Your poem is wonderful!
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I’m trying new things, like rhyming! Thank you for the clear instructions and examples. Extra syllables tried to sneak in but I think I caught all the little naughty monsters.
However, now that it’s posted I see the three repeats, don’t have three, sorry.
I will read today. Even without the three repeats, the form asked you to step outside of your comfort zone and create. You faced the challenge and I’m sure you excelled as you always do. Thanks for taking on the bold adventure of rhyming 🙂
Had to take an unexpected detour but I’m back and ready to read.
This was quite a challenge! Wish I had more time and could do it a bit more justice. This proves to me that I am TOO addicted to free style. This was very good for me.
I can’t ever be too addicted to freestyle/freeverse. It is the only poetry language I knew all my life. My blood is freestyle blue ink. I see these challenges as something to get the mind involved to enhance what already comes naturally from the soul without needing the mind 🙂
Well, this is my second FormForAll challenge I’ve taken part in. My first was the Pantoum. Since I was nine years old, I’ve only ever written freeverse, so these challenges are really helping me expand in new ways subconsciously in my primary style.
I’m thankful I found this site. I have learnt so much already. My entry, “Heaven’s door”: http://art-soul-ink-writes.blogspot.com/2011/11/heavens-door.html
At one time, I only wrote free verse but I tired of not understanding the effort that went into penning form. So, I taught myself how to write a sonnet but not really because all I was doing was rhyming and counting syllables. Still, when I realized that, I learned of voltas and meter. Now, I realize what effort went into the poetry that I read and feel more gratitude toward the poet for more than words. I see the application of poetic device and feel their effect on my response to the words offered. So glad you found dVerse. Learning is a fantastic way to spend time.
I also love to see that there are other writers here who are putting the same amount of effort into expanding on their craft as I am. Very enlightening and reassuring.
Beth… great intro to this form… I’m sure to have a go as soon as I have the internal rhyme (cockney rhyiming sland for time..hehe) and will let you know… Lovely to see you behind the bar… bravo 🙂
Not really a very good one. But please do read through, hope you will like it.
http://insanebloom.wordpress.com/2011/11/18/oncoming-rains/
I have read of yours in the past and this piece is no exception.
whew, this was harder than it looked at first glance. Thought I had it and then I didn’t with the internal rhymes. Thought I nailed it again and realized that some how I missed the tiny paragraph about the repeats. So, after my third attempt, I may have succeeded 🙂
Thanks, Gay and Beth. Fun as always here at the Pub.
Penning it to form is tricky 😀 I have one that I wrote where I left out the internal rhyme. I have to go back and fix it soon. I’m off to see what you offered up. Good morning.
I too missed the internal rhyme in mine. I had someone point it out to me on a FB group I belong to. Normally my poems naturally have inner rhyming so I was kind of surprised that was the aspect I missed.
Fixed one half of the problem, but left the other. I just put notes in my post so I could be reminded of the process later. This was a very self-rewarding challenge. Thanks to all!
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I have a really hard time with given forms. And rhymes that aren’t accidental. But I tried anyway, resorting to a comfortable (and common-for-me) topic — a musician I’m acquainted with whose songs I love (and who taught me a little something about letting words go and not worrying if others interpret them the way you meant them). This was a great challenge, Beth. And thank you, Gay.
That was fun…and kept me awake at work. 🙂
I enjoyed this form very much, Beth. Thank you for introducing it here in dVerse. I spent a while ‘playing with words’ this morning in order to accomplish one; but it really felt good once a result was achieved. I look forward to reading some others as the day goes on. Happy weekend, all.
Wow! This form was not easy. It seems to go against the natural rhythmic flow I’m used to in my writing. It definitely has that staccato feel, as in music. I was only able to finish one stanza but wanted to share before work so I could get feedback. Always love a good challenge. Thanks for this one.
I wrote a poem that may be a long lost cousin to the staccato family. But barely. 🙂
What a great challenge! I just started reading some of the responses, but some interesting variations of this also!
Hi y’all. I have read through most of the links. I’m learning a lot about this new form and want to thank Beth again for hosting for us today!
I am considering writing another article on prosody for next time (December 2). I will cover some of the many poetic devices. If you were not part of the OneStopPoetry community last year (pre-July) then you can see the previous articles here which will give you the base we started with regarding rhyme, meter, feet, etc. There are also articles there on other forms.
Here are the links to those articles:
The main link to the site is here http://onestoppoetry.com –
The first prosody article here: http://onestoppoetry.com/2011/04/one-stop-poetry-form-a-look-at-prosody.html
the second prosody article here: http://onestoppoetry.com/2011/04/one-stop-poetry-form-prosody-week-two.html and the article
free verse: http://onestoppoetry.com/2011/05/welcome-to-one-stop-poetry-form-a-look-at-blank-verse-by-gay-cannon.html
And rhyme here: http://onestoppoetry.com/2011/05/welcome-to-one-stop-poetry-form-%E2%80%93-a-look-at-rhyme-by-gay-cannon.html
These provide the foundation for form poems and classic poetry.
Thank you all for attempting the staccato poetry form. I truly enjoyed this event and hope you had a good time as well.
Gay, Thank you for inviting me. I had a wonderful time at the pub… an absolute pleasure.
Oh I forgot to mention there are four fabulous articles on free verse by four superb poets: Joy Jones (Hedgewitch), Sam Peralta, Shay Caroline, and Steven Marty Grant. If you are thinking free verse is just popping down words that rise to the top of your head, you might see what these folks have to say about it.
Missed the deadline (again), but wrote one anyway. Anyone interested is welcome.
http://tasmith1122.wordpress.com/2011/11/19/dverse-staccato-poem/