Tags
Ballades, Formal Poetry, FormForAll, Francois Villon, French Forms, Gay Cannon, online poetry, poem
For today’s form, I have decided to present the French Ballade. I have always been enamored with France, perhaps because my father’s father was French and came to America from Paris. I’ve been reviewing my love of the French early 20th century painters–the impressionists, the fauves, the cubists, the abstracts–the modern. When reading about Ballades, it always says please don’t confuse these with ballads. Coincidentally almost exactly a year ago Monty Wheeler (@bumfuzzled) wrote a Form Article at OneStopPoetry on Ballads here and we reprised them again for the pre-Christmas article at dVersePoets. It’s true BALLADES are entirely different!
The Ballade’s name derives from the Old French “balade” (“a dancing song”). The ballade was one of the principal forms of music and poetry in fourteenth- and fifteenth-century France. It contains three main stanzas, each with the same rhyme scheme, plus a shorter concluding stanza, or envoi. All four stanzas have identical final refrain lines. The tone of the ballade was often solemn and formal, with elaborate symbolism and classical references.
One of the most influential writers of early ballades was François Villon. He used the exacting form and limited rhyme scheme to create intense compositions about poverty and the frailty of life. Inspired by debauchery and vagrancy of his criminal life, his work often included scathing attacks on the wealthy and declarations about injustice.
I present here a translated version of one of his poems dedicated to his mother. Clearly the translation is not in the prescribed form, but I believe the original, in French, is true to form.
Ballade to Our Lady
WRITTEN FOR HIS MOTHER by François Villon
Dame du ciel, regents terrienne,
Emperiere des infemaux palus….
(Lady of Heaven and earth, and therewithal
Crowned Empress of the nether clefts of Hell)…
I, thy poor Christian, on thy name do call,
Commending me to thee, with thee to dwell,
Albeit in nought I be commendable.
But all mine undeserving may not mar
Such mercies as thy sovereign mercies are;
Without the which (as true words testify)
No soul can reach thy Heaven so fair and far.
Even in this faith I choose to live and die.
Unto thy Son say thou that I am His,
And to me graceless make Him gracious.
Said Mary of Egypt lacked not of that bliss,
Nor yet the sorrowful clerk Theopbilus,
Whose bitter sins were set aside even thus
Though to the Fiend his bounden service was.
Oh help me, lest in vain for me should pass
(Sweet Virgin that shalt have no loss thereby!)
The blessed Host and sacring of the Mass
Even in this faith I choose to live and die.
A pitiful poor woman, shrunk and old,
I am, and nothing learn’d in letter-lore.
Within my parish-cloister I behold
A painted Heaven where harps and lutes adore,
And eke an Hell whose damned folk seethe full sore:
One bringeth fear, the other joy to me.
That joy, great Goddess, make thou mine to be,-
Thou of whom all must ask it even as I;
And that which faith desires, that let it see.
For in this faith I choose to live and die.
O excellent Virgin Princess! thou didst bear
King Jesus, the most excellent comforter,
Who even of this our weakness craved a share
And for our sake stooped to us from on high,
Offering to death His young life sweet and fair.
Such as He is, Our Lord, I Him declare,
And in this faith I choose to live and die.
From Villon, “Ballade to Our Lady,” Dante Gabriel Rossetti, trans., in Poems (Boston: Roberts Brothers, 1870), pp. 178- 179.
In English, ballades were written by Geoffrey Chaucer (there are notable examples in the Canterbury Tales) in the fourteenth-century, and revived by Dante Gabriel Rossetti and Algernon Charles Swinburne in the nineteenth-century.
In a traditional Ballade:
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The stanzas are of fixed size (number of lines and syllables).
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A brief closing (and sometimes omitted) envoy has half the number of lines of the preceding stanzas.
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The stanzas and envoy comply with a strong end-rhyme scheme, one of the delights and challenges of this form.
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The same line reoccurs as a refrain at the end of each stanza and envoy.
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The shorter Ballade has 28 lines with only three rhymes (designated a, b, and c below) throughout.
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The longer Ballade (the Ballade Supreme) has 35 lines with only four rhymes (designated a, b, c, and d below) throughout.
Here’s a useful chart to refer to in composing a ballade:
For the shorter Ballade (the ‘true’ Ballade) |
For the longer Ballade (the Ballade Supreme) |
|
Length of first three stanzas | 8 lines (an octave) | 10 lines |
Length of final stanza (the “envoy”) | 4 lines (a quatrain) | 5 lines |
syllables per line | 8 syllables | 10 syllables |
total number of rhymes in the poem | 3 | 4 |
rhyme scheme of first three stanzas (upper-case for refrain) | ababbcbC | ababbccdcD |
rhyme scheme of final stanza | bcbC | ccdcD |
Other forms are:
The Double Ballade, which has six stanzas of 8 lines
The Double Ballade Supreme, which has six stanza of 10 lines
There are further variations, such as practiced by Villon, who varied and extended the Ballade form in many ways, particularly by increasing the number of stanzas (or occasionally increasing the number of lines per stanza) while retaining the refrain and the dense use of repeating rhymes.
Here are some steps you might take in composing one:
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Make a free-write or rough prose draft of a page or two, exploring what you want to say. You apparently can choose your line syllabic length, but then you should repeat it throughout.
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Look at the free-write for repetition of words or phrases. That might give you some options for the refrain and for the rhymes to be used.
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Look for rhyming words: you will need eight (8) ‘a’ rhymes and five (5) ‘b’ rhymes, in addition to the refrain.
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The common practice of using end-stopped rhymes may allow you to pull phrases from you writing in order to construct lines of the appropriate length but whose sequence you can alter if that helps the poem. Like packing an inflated helium balloon into a suitcase, tussle with modifying the sequence to tug the poem into shape.
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However, modern writers make more use of enjambment and of slant rhyme, for lively and less predictable poetry.
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As with all formal poems nowadays, it is vital that the form does not “drive” your poem. If the rhyme scheme and form begin to feel forced, then you must assert the poem’s content.
You can see this is going to take a while to compose. Therefore, I am writing two FormForAll articles with this form, this week as introduction, and the second part on February 2. At that time we will look at modern versions of the Ballade and use of enjambment and freer use of the form as they’re now being written. I am having difficulty writing mine, I know. So, if you have already tackled this form and wish to present our readers with your examples I am offering a Mr. Linky this week. For the rest of us there will also be one for the next time when we have had time to digest the information and compose one. Thank you so much for coming by and reading today.
Gay said:
Hello Everyone! Hope you’re having a wonderful beautiful day. For us it is one of those soft winter days when the sun is shining, and one only needs a sweater. Pop into the pub today for a refreshing drink and a shot of ballades – this is just the first installment. Thought it might take you guys as long as it has me to figure it all out so I probably won’t have mine up for two weeks. I’ll be happy to read any that you may link. I think this is challenging but fairly worthwhile, both historically and in a modern sense. I hope you enjoy it. Thank you!
tashtoo said:
Wonderful article Gay…and I’ve been tweeting up a storm for ballads! WHOOPS! You couldn’t have begun this more perfectly…already learned lots with the first paragraph! Looking forward to this one…and will be seeing you soon 🙂
Gay said:
Thanks Ms. Tash and for all your support too. I know yours will be GRAND!
claudia said:
awesome teaching as always gay… love the musicality…and i like france and the french as well.. la savoir vivre… smiles
Manicddaily said:
This looks like a lot of fun, though it makes for a very long poem! I am eager to try. Thanks for article. K.
Gay said:
I know. I wrote a long outline, but still haven’t found my rhyme words yet. It may be too ambitious. I’m working on it!!
Gay said:
Thank you, Claudia – Etiquette indeed; we’ve almost abandoned it in the U.S. However, it is still observed carefully in France and much of the UK. London is getting very Americanized though, n’est-ce-pas? Glad you enjoyed the article.
Margaret said:
Good Grief! This will surely do me in… but I’ll give it a whirl…
Laurie Kolp said:
You really know how to give us a challenge, Gay… and I love it!
Anna Montgomery said:
Holy bat kittens Gay, you did give us a mind-bending challenge today. I took your advice and took a free verse inspired by the Hypnerotomachia Poliphili that I wrote a couple days ago and whipped it into a Ballade Supreme. Now I have to collapse in a heap. I hope I at least got some parts of the form right :).
brian miller said:
booyah! in the house with one of my own…come to give hope to the masses…if a free form addict like me can pull this off any one can…haha…i will admit gay once i figured the box out and could play a bit…it was fun…smiles….great article and challenge…
Gay said:
Packing it up. Heading for Dallas tomorrow solo. I’ll be reading as I can tonight and tomorrow. Nearly everything is in the car! So grateful Ron is so improved that he can stay here alone. He has providers checking in so not to worry!!
brian miller said:
that is great that he is doing better…have a great trip gay…
claudia said:
that’s good news gay.. have a great day in dallas!!!
Cressida de Nova said:
I like a mind bending challenge. will give this a shot!
ManicDdaily said:
So I think I did one more or less. (Less!) K.
claudia said:
ok– really tried to write one…. but i was so tired yesterday…that…instead of counting syllables, i counted sheep….ugh… at least will visit some of yours and really..kudos to everyone who tried their hands on the form… a real challenge for sure..
tashtoo said:
I have got to say…the challenge was huge!!! My apologies in advance for butchering this beautiful form…but time was running out and I didn’t want to miss posting. This will definitely require some more work 😉
Eva Von Pelt said:
I just love the challenges you present here, Gay! Interesting and yes, difficult, but you’ve explained it so well and always include great resources. I hope to get one going, but it will likely be for your part two piece on 2/2.
Thank you!
-Eva
Joseph Harker said:
A great description of the history and uniqueness of the form. I tossed one in the bucket that I wrote two years ago (it enjambs quite a bit, though, and has hendecasyllabic lines; sorry!), maybe I’ll give it another go…
brian said:
nice i am glad that several took up the challenge of this…it has been fun to see how each brought a different bit of flavor to the form…
Gay said:
Hey everyone – It’s 9:30 my time and I just now reached Arlington (Dallas area). Oh my it’s a long trip. You probably wouldn’t guess Corpus to Dallas is just about as far as Dallas to Chicago. Topping it off, Interstate 35 was a parking lot (car park to some) all the way and I was stranded with no fewer than three wrecks where we were stalled for hours. However thank God and my LIncoln for getting me back safely!
After twelve hours getting here! Sob, I’m semi-exhausted but will visit your poems in the morning I promise!! Thank you so much everyone for writing this challenging form!
Glenn Buttkus said:
In one hour I have one stanza, so looks like I do not present it until next week; making me crazy but I think i love it too, or not.
vivinfrance said:
I’ve been at it for days, and have only one stanza and an envoi. Usually I love the challenge of formal poetry, find it liberating to have the form set out for me. This time, I set off with a will but a limited theme which came to a full stop. I think I will let it lie fallow for a bit.
jacquelinecaseypoetry said:
A lovely, challenging form. I recently finished it and sent it off to a contest. Will let you know if I ever hear from judges. After contest closes, will post to my site: Thank you!
Gay Reiser Cannon said:
Do let me know. Thank you.