Poetry-a Piece of Written Art
We are aware, no doubt, that poetry is considered to be one of the arts. But consider that fact that it is in a manner both visual and aural, written art in its own right. It appeals to the artistic sense of the reader who sees the imagery created through description or form and who hears the repetition of sound through an array of poetic devices such as rhythm (meter, feet, stanzas…) and tone (consonance, assonance, dissonance…).
In our current form challenge, the Pantoum, we are working with both structure and repetition—techniques much like pattern in visual art. This form, and others which will soon be on our “to write” list, all turn to these artistic tools. So, let’s don our smocks, gather brushes and paints, and prop up a blank canvas on the easel, as we look at repetition: why and how to choose the lines or words we will repeat.
What does repetition add to the poem?
Most often as we prepare to write a poem, there lurks deep in our consciousness or maybe floating on the surface, a message that had meaning to us and that we want to communicate to our reader. It could be as complex as an emotion or a socially significant issue or as simple as the beauty we find in a moment of time. Repetition is a tool that is much gentler than a hammer with which to drive home the point we want to make.
The use of auditory sounds helps the words or phrases stick with the reader, much like those tunes that create earworms that drive us to distraction—think “It’s a Small World”—the song that keeps on giving a message that wants to be heard.
Repeating a word or line underlines the importance of that word or line. Often all the other lines or words in the poem build on the repeated line or word—giving the poet a springboard in which to dive into developing the rest of the work.
Choosing the Line/Word
Because of the variances in rhyme and meter in the Pantoum and the other forms we will encounter in future prompts, I won’t discuss those issues here, except to say that it is critical to choose the line or lines that conform to the prescribed form. For many of us, poems are conceived when a line tackling the chosen subject pops into being. Those lines are gifts. Don’t we all wonder at times how they came into being?
Here are a few specific suggestions for choosing lines:
- Begin with something simple, a line that avoids multisyllabic words in the extreme.
- If applicable, end words that have a good number of rhyming choices work best. I use rhymezone.com and focus on words that offer multiple, meaningful choices.
- Ask how you can manipulate the line(s) or word(s) to create subtle changes.
- Consider where you might use enjambment to startle the reader a bit.
- Are there any opportunities for wordplay techniques?
- Does the line state or imply the underlying message of your poem?
Now, Just Do It
For those of us who have been struggling with the Pantoum, or who have given up on it completely, let’s hop back on the diving board and take a wild leap.
Gina’s prompt for the Pantoum will be open for another two weeks. Please join us.
For dVerse, this is Victoria Slotto, stopping by with a guest post, and happy to be with you today.
Victoria C. Slotto said:
Welcome to the Pub, my poet friends. Happy to be with you today to explore ideas on how to chose apt lines or words that repeat in poetry forms such as the Pantoum. Do you have any ideas you would care to share in comments? Please!
Grace said:
As the first and last line are repeated in this form, I think it is important to choose that line with a lot of care as it can impact the tone of the poem.
Victoria C. Slotto said:
I agree. It’s crucial to developing the rest of the poem.
msjadeli said:
Thank you for the tip, Grace.
Gina said:
sometimes that first line will go thru a revision to suit the body of the pantoum – i think it is ok to be brave and let that happen!!
Björn Rudberg (brudberg) said:
Hello… this is so nice with a second chance to come up with a pantoun… I need to think about your advice Victoria and come up with my first pantoun.
msjadeli said:
You can do it, Bjorn.
Victoria C. Slotto said:
I’m struggling to find the right lines, too! Have fun with it, Bjorn.
Grace said:
Thank you for reminding us of the poetics tools of repetition and sounds for our poetry forms Victoria. I have written another pantoum and would appreciate any feedback.
And thank you for hosting and supporting our Poetry Form project.
Victoria C. Slotto said:
Thank you, Grace. I’ll read yours soon.
Grace said:
It is my second one Grace -2 as I still need to revise massively my first one. Thank you.
kim881 said:
Good evening Victoria, Björn and all poets at the dVerse bar! Thank you for the clear and helpful advice on writing a pantoum, Victoria. I’ve added my third but I think I linked another one to a different prompt. Should I link it up again here? I found the pantoum a struggle at first but with help from you and Lill I hope I’ve cracked it now!
Victoria C. Slotto said:
It’s a tough form. I think it’s a good idea to add it here. Grace or Bjorn?
kim881 said:
I’ll be back to add it in the morning. My eyelids are heavy…
msjadeli said:
Hi Victoria and All. Victoria, your essay and tips are appreciated. Am copying and adding to what Gina said for a nice packet of helpful info on the pantoum. The one about checking at rhymezone *before* starting is a great idea.
Victoria C. Slotto said:
So glad it’s useful to you. I love rhymezone!
merrildsmith said:
Thank you for your suggestions, Victoria!
Victoria C. Slotto said:
You’re welcome!
Björn Rudberg (brudberg) said:
I did one in a rush… there are so many poems to read and evening is already late.
Victoria C. Slotto said:
When they just pour out of you like that, they are often better than one that each word is like a labor pain!
V.J. Knutson said:
Thanks Gina, I am in with a second attempt.
Gina said:
getting to your post V.J – been a hectic week!
V.J. Knutson said:
No rush. Appreciate all that you do taking time to host.
Glenn Buttkus said:
Linky and I wrestled and #70 is not working; please delete it. #71 is good shape. Some of us have written Pantoums for other challenges too. But I feel confident Bjorn and Grace will look at everything .So good to hear from you, Victoria; been missing your lovely and studious input.
Victoria C. Slotto said:
Thanks, Glenn. I miss being here but it’s been a weird year so far.
memadtwo said:
Thanks Victoria. This is helpful advice. (K)
Victoria C. Slotto said:
Thank you!
Gina said:
this was lovely Victoria! the pantoum is all about repeating and ruminating, thank you for this prompt that gives support and new insight into writing the pantoum.
Victoria C. Slotto said:
And thank you for the original prompt. I’m working on one!
lynn__ said:
Thanks, Victoria, for discussing the pantoum again. This got me thinking and (eventually) inspired to try the form and link up with Gina’s original prompt. I think this form fits the perpetual prairie winds well, which was my theme.
Victoria C. Slotto said:
That sounds like a perfect fit for the theme/form. I can feel just what they are like from my midwest past. Looking forward to reading that!
lynn__ said:
🙂
Glenn Buttkus said:
OK, OK…being out on the trail this time has inspired and enlightened me. I found a Pantoum without rhyming lines, then I found a Pantoum with short lines. Then the Christchurch massacre happened today. My Muse demanded I write a rogue pantoum–so I did. I hope you guys can dig it.
Victoria C. Slotto said:
Off to read now. Such sadness in NZ and world wide.
Victoria C. Slotto said:
Finally, I’ve written and posted a pantoum. Form poetry is a great way to escape the poetic drought. Highly recommended.
robtkistner said:
Well Victoria, I am still primarily drawn to the liberated expression of free verse, but your post here poked at my poetic masochism – and darned, if I haven’t just gone and written another pantoum. It’s like I keep daring myself to do it again. This time it’s about a woman I have admired for 50+ years.
Victoria C. Slotto said:
Ha! I love it.