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A daguerreotype of Emily Dickinson, taken at Mount Holyoke Seminary.

We’re really land-hopping here at the pub – just when folks were getting used to the snowy landscapes of Russia, now we’re going to go and yank you all across the glittering Pacific to the U.S.A. But while last week’s festivities took us to a poet forcibly mired in the horrors of a literary winter, this week’s journey takes us to a poet renowned for her solitude.

Emily Dickinson was something of an anomaly, in all senses of the term. Though she wrote nearly 1800 – yes, 1800 – poems over the course of her lifetime, fewer than a dozen saw publication before her death, and these significantly altered versions of her work could scarcely be called hers by the time the publishers’ ink dried. But of course, Dickinson liked it that way. The obscurity – probably not the manipulation of her craft. Though there is often great yearning within her words, she was an introvert – the majority of her relationships being carried out by correspondence alone.

And yet, one can scarcely think of American poetry today without drifting to the topic of the recluse wonder. Today, she is considered one of the great American poets, her work – much of it only after her death discovered by her sister! – considered a treasure trove of language, thought, and style.

Though difficult to settle on but one of her pieces for the show tonight, in the end I bring to you “Because I could not stop for Death” – a fine sampling of her skills, and her tendencies, as readers of Dickinson will quickly find the themes of death and time cornerstones of much of her work…

~Chris Galford

Because I could not stop for Death

Because I could not stop for Death –

He kindly stopped for me –

The Carriage held but just Ourselves –

And Immortality.

We slowly drove – He knew no haste

And I had put away

My labor and my leisure too,

For His Civility –

We passed the School, where Children strove

At Recess – in the Ring –

We passed the Fields of Gazing Grain –

We passed the Setting Sun –

Or rather – He passed us –

The Dews drew quivering and chill –

For only Gossamer, my Gown –

My Tippet – only Tulle –

We paused before a House that seemed

A Swelling of the Ground –

The Roof was scarcely visible –

The Cornice – in the Ground –

Since then – ’tis Centuries – and yet

Feels shorter than the Day

I first surmised the Horses’ Heads

Were toward Eternity –

~Emily Dickinson