Roll up, roll up. Good morning/afternoon/evening ladies and gentlemen. Welcome to Form for All. I’m Tony Maude and have I got a treat for you today; a poetic form for writers of free verse and a free verse style for students of form. What is this wondrous style that could keep everyone happy? Allow me to introduce the star of today’s show; accentual-alliteration.
“What is that?” you ask. Allow me to explain.
If you’ve been following Beth Winter’s series of Pretzels and Bullfights posts on the history of English verse then you’ll be aware that English verse, like the English language, sprang from two principal sources, Greco-Roman and Anglo-Saxon. (What do you mean, you haven’t been following that series? You can find the first part here, and the second here.)
From the Greco-Roman root we have taken ordered syllabic measures – the iambs, dactyls, anapaests, trochees, spondees etc which fill some poets’ hearts with dread. From the Anglo-Saxon or Old English root we have taken the concept of accent. It is the combination of syllables and accent which forms the basis of native English-language accentual-syllabic verse – English poetry as most of us know it.
For historical reasons, mostly to do with the aftermath of the Norman Conquest of England, the classical stream has dominated the world of English prosody for most of the last 1,000 years. The most obvious result of this dominance is that many of the familiar poetry forms – rondeaus, ballades, sestinas, triolets, kyrielles etc – trace their origins to 13th Century France. But although the Anglo-Saxon tributary of English prosody has been often neglected, even hidden, it has never disappeared completely. Indeed, over the past century or so, it has seen something of a resurgence.
Now, if you break out in a cold sweat at the idea of needing to keep an eye on your metrical feet and count the syllables in your lines, then the Anglo-Saxon stream of English poetry might very well be the thing for you, because it simply does not take any notice of such things. Old English poetry – and the Middle English poetry that resulted from a post-Norman invasion revival of the Old English style – does not count syllables. Neither does it rhyme.
So are we talking about free verse by another name? No we’re not, because although there is no place for syllable-counting, rhyme or metrical feet, there is still a discernible disciplined form which underlies the Old English verse style. The form is based entirely on accent or stress, with no consideration given to anything else.
Each line of Old English verse, no matter what its length, contains four accented or stressed syllables. The number of unstressed syllables is unimportant; all that matters is these four stressed syllables. Now each poetic line is divided into two parts and each part must contain two of the stressed syllables. (The word for half a line is hemistich – it rhymes with stick). So, if we call our stressed syllables (accents) one, two, three and four, one and two come in the first hemistich, while three and four come in the second. Let’s see what that looks like:
Here come one and two together, and there are three and four.
One is always found with two, while three is joined to four.
Almost certainly there will be elements of rhythm and secondary stresses, but these are accidental, not deliberate. You could say that a single line of Anglo-Saxon poetry is a syzygy of dipodic hemistichs – but you’d be wrong, because feet don’t matter!
That’s the accentual part (which was the basis of Gerard Manley Hopkins’ Sprung Rhythm) dealt with; now on to the alliterative principle which is the other component of Anglo-Saxon verse.
We all know what alliteration is, don’t we? The New Princeton Encyclopedia of Poetry and Poetics puts it like this: The repetition of the sound of an initial consonant or consonant cluster in stressed syllables close enough to each other for the ear to be affected. Now, in a line of Anglo-Saxon verse the first three stressed syllables are alliterative, and the fourth one isn’t (usually). This is the Bang, Bang, Bang – Crash! of the title. (It was Michael J. Alexander, Anglo-Saxon scholar and translator of Beowulf who first christened the alliterative principle the Bang, Bang, Bang – Crash! rule).
Here’s the opening to William Langland’s Piers Plowman with the stressed/accented syllables accented so that you can see what is going on:
In a somer sesoun, whan softe was the sonne
I shope me into shroudes, as I a shep were,
In habite as an heremite, unholy of werkes
Went forth in the world wondres to here
And saw many selles and sellcouthe thynges.
And here is a rough translation of that;
One summer, when the sun was gentle,
I dressed myself in rough clothes like a shepherd,
In the habit of a lazy hermit,
Went forth into the world, wonders to hear,
And saw many marvels and strange things.
Here are a few important things to note:
i) The stressed syllable does not have to be the first syllable in the word. (Notice the stress on soun in the first line.)
ii) The fourth stressed syllable comes at or very near the end of the line (Words like lightning, where the stress falls on the first syllable are OK as line endings.)
iii) Langland cheats in his first line which goes Bang, Bang, Bang, Bang! It is possible that he did this to catch his readers’/listeners’ attention.
Now you might be thinking that this is all very interesting, but surely it is ancient history. No relatively modern poets have written like this, have they? Well yes, they have. Here are a couple of extracts from W.H. Auden’s The Age of Anxiety:
Deep in my dark the dream shines
Yes, of you, you dear always;
My cause to cry, cold but my
Story still, still my music.
Mild rose the moon, moving through our
Naked nights, tonight it rains;
Black umbrellas blossom out;
Gone the gold, my golden ball.
Notice Auden’s use of enjambment – rare in Old English and medieval poetry – which helps to create a sense of flow, his use of repetition and the modern feel and language of his lines.
So there you have it – accentual alliteration. It’s form Brian, but not as you know it … smiles.
So what do you do now?
• Write your poem and post it to your blog
• Add a link to your poem via the ‘Mr Linky’ below.
• This opens a new screen where you’ll enter your information, and where you also choose links to read. Once you have pasted your poem’s blog URL and entered your name, click Submit. Don’t worry if you don’t see your name right away.
• Read and comment on other people’s work to let them know it’s being read.
• Share your work and that of your fellow poets via your favourite social media platforms.
• Above all – have fun!
Drum kit photo by Ross Beckley. Reproduced under Creative Commons licence via Flickr
claudia said:
oy tony….this one is a big challenge… you gave me a hard time, trying to put in the allits according to the “pattern” – i usually never think much about them, just put them in where they fall…ha…smiles… so my tactic was to put as much in as i could possibly find and make the lines extra long, so that the chances are bigger……ha…smiles…happy thursday everyone…
Tony Maude said:
That’s certainly one way to appraoch the challenge … smiles. Will be round to read soon – I need some inspiration.
brian miller said:
heh, this was quite the challenge good sir…and i failed, i know, but posted anyway…smiles…i’m off pattern, may hit it occasionally in it…but i tried…allit is def a tool i use…its the stresses that get me…i try to keep life stress free you know…smiles…
brian miller said:
that pic reminds me of a few rock concerts i been to….ha…
Tony Maude said:
Me too … smiles
Tony Maude said:
It’s much, much harder than I thought it would be, Brian. On the face of it, this poetry pattern should give us lots of freedom. I think what I am battling against is the fact that even when writing free verse, I am thinking about metre and rhyme and rhythm – and they don’t matter at all in this type of poetry.
brian miller said:
i agree…and i think that is what got me, as i was unwilling to sacrifice rhythm to fit the form…
Tony Maude said:
Lots of rappers do something similar to this; four heavy beats in each line, but no limit on how many other syllables they squeeze in. Of course, they aren’t usually trying to alliterate as well … smiles
brian miller said:
yep most on a 4/2 beat…done that….
yeah the allit threw me off…ha…
i was thinking of the Aerosmith/RunDMC song when i was working on mine…
Walk This Way…its got some allit…
Tony Maude said:
Hi all, and welcome to the pub. As Brian and Claudia have already said, this is quite a challenge. It seemed so straightforward when I was researching it, but so far, I’ve not cracked it yet, so I’ll be writing at the same time as everyone else.
What you need in each line is four heavily stressed syllables; the first three of them alliterate and the fourth one doesn’t.
Björn Rudberg (brudberg) said:
Love this form Tony. As it’s a form that also very important in old Norse, some old Scandinavian poetry like the poetic Edda use the same concept. Maybe we should do kenning also some time ;-). I actually did one on one of my first OLN .. But I did a new one this time. Now I’ll head out to read stuff.
Tony Maude said:
Glad somebody likes it … smiles. As you say, many of the old Norse and Icelandic saga poems use this form. It is the basic form of Beowulf too – all 3,000 plus lines of it … gulp.
Björn Rudberg (brudberg) said:
Yes.. Finding so many alliterations would be a challenge.. Maybe the kennings helps?
Beth Winter said:
Tony,
You are challenging my iambic voice to stutter a little but I’m working on it. Wonderful article and so pleased you were able to tag on the Pretzels & Bullfight themes.
Tony Maude said:
I’m struggling too, if that’s any consolation.
brian miller said:
yes, nice nod to beth—who has been doing a great job on the pretzels…smiles
Laurie Kolp said:
Agreed… and I’m struggling to even begin… kids home and all… will get to this soon. I love a good challenge. Thanks, Tony.
brian miller said:
when the teacher stumps themselves—it is not a good sign…ha
Tony Maude said:
Ever so slightly embarrassed now …
Laurie Kolp said:
True…
brian miller said:
ha. just ribbing you man…
you will do fine…and if not fail gloriously…and get a good poem out of it at least
.that is my motto….smiles…
http://vivinfrance.wordpress.com said:
I should love to have a go at this, but am feeling brain-dead at the moment, so I shall keep a note of it and come back when life has settled down a bit. I did once write a Gerard Manley Hopkins parody, but all my old stuff is on a cloned hard disk which I don’t have room for in bed with my laptop! I shall look it out, because it would be interesting to see how near it comes to Tony’s prescription.
Tony Maude said:
almost certainly not a form to try when you’re under the weather, Viv. Hope you are feeling better soon.
claudia said:
i hope life calms down soon for you…and gerard manley hopkins parody sounds interesting for sure..
http://vivinfrance.wordpress.com said:
I found the parody, which was on my blog: http://vivinfrance.wordpress.com/2012/05/18/sprung-rhythm-2/
but I think it will be worthwhile to try and do it properly later on.
brian miller said:
cool…will check it out…how are you viv? other than braindead…smiles.
http://vivinfrance.wordpress.com said:
stressed beyond belief with moving house from big to small, trying to sell/give away surplus stuff, and always being in the wrong place at the wrong time. My next mammoth task will be to sort out my office, with about a ton of assorted paper. As the office doubles as my quilting studio, I have to do the same with vast quantities of fabrics some of them non bigger than a square inch! All is going to have to squeeze into a small bedroom, still leaving room for the occasional guest to lay his/her head!
brian miller said:
oy pairing down is not easy…esp when it comes to an office…and all your quilting…dont envy your task viv…
claudia said:
just googled alliteration generally on the net and very interesting that it’s often used as well in advertisements to make a phrase more memorable like for example..
“Guinness is good for you”
-Guinness Beer
we have lots in german ads as well and because of the allits you don’t get them out of your head….ha…that’s smart….
Tony Maude said:
Alliteration is everywhere; there is a financial services company where I live called Plan-it and Prosper. A lot of well-known phrases are alliterative too; belt and braces, prim and proper, tried and trusted … there are loads more.
claudia said:
way cool… i find this more and more exciting…ha
Björn Rudberg (brudberg) said:
Think about the name of the teachers and persons in Harry Potter… the are all alliterative… Godryck Gryffinodor, Severus Snipe, …. a lot of fun with allteration.
claudia said:
veni vidi vici….that’s allit as well…
claudia said:
mickey mouse and pay pal…
brian miller said:
but not together right? ha…
claudia said:
ah….the modern mouse…who knows…
brian miller said:
ha.
brian miller said:
imagining empty pocket books…
Laurie Kolp said:
Does it have to make sense?
Laurie Kolp said:
… LOL
Tony Maude said:
Only if you want it to … smiles
Björn Rudberg (brudberg) said:
A great moment to use onamatopoeia 🙂
Laurie Kolp said:
Ok… I posted something… have at it. = )
howanxious said:
I tried but uhm.. it is better if I maintain my silence. 😉
At least you’ll find plenty of alliteration if you decide to read the piece.. 🙂
brian miller said:
ha. you did well actually…this is by far one of the harder ones we have tried…thought seems not so until you in up to your eye balls…
Björn Rudberg (brudberg) said:
I really recommend to read it aloud to get it right… and HA you did great…
howanxious said:
oh yes.. that is a good idea.. but I can’t.. its late night here and if I try.. oh i dare not.
😀
and thank you bjorn..
howanxious said:
yes.. t’is true. we only understand it when we experience it, trying it ourselves..
pandamoniumcat said:
Oh this is just the sort of thing I’d like to have a go at… seems it will be difficult but one can only try… I’ll drop my son off at school and come home and see if I can get it! Nice Challenge Tony. 🙂
brian miller said:
try is the big word…
i know i fell short but i tried..and in trying i hope you find brilliance…smiles.
it take it that it is not summer vacation over there…
pandamoniumcat said:
Oh no, fresh winter here and school just went back after two week winter break. 🙂
brian miller said:
ha. always amazes me….we are about to wash out here…rain again, after flooding near here yesterday…the streets are full of water and a river runs through my back yard…
pandamoniumcat said:
Oh dear, I do hope you’re okay. Never comes in a drizzle anymore the rain…it’s a deluge or nothing. I suppose it’s good weather for poetry! 🙂
brian miller said:
yeah, we are fine…my youngest and i were out running errands tonight when it really broke and he got scared with all the water on the roads—really it was only 5-6 inches of water but…it is weird how hard the rains are this year…our ground is just saturated as well so you get a lot of ground water…
Grace said:
Just dropping by to say Hi to everyone ~ My mind is busy with preparations for our trip tomorrow to Vancouver, so I will have to pass this one Tony ~ I am not good with alliterations though I like experimenting with sounds and formatting my words in the page ~
Finally we are having a summery weather ~ Smiles ~
brian miller said:
have fun on your trip grace!
Maggie Grace said:
Tony, I couldn’t do the form you wanted but I do like to write so did an alliterative haiku. I hope it doesn’t offend your senses.
brian miller said:
oh but i rather like lavender…
smiles.
Tony Maude said:
Well, it’s early Friday morning here, so I guess it’s time to sleep. I’ve put something together for the challenge; it wouldn’t do for “teacher” not to do his homework … smiles.
brian miller said:
ha. woot.
Miriam E. said:
4:15am… there’s no better way than a brain teaser to fuel insomnia. heh. Tony, I really enjoyed this (though I have no idea at all if I did it right… ha, I tried). Thank you for giving a restless mind a great challenge. Will read a few before I get back to bed… have to be up and about again in 2 hrs for a nice day of work. Ugh. Will continue reading later!
brian miller said:
trying is the key…ultimately it breeds success…smiles…
at least that is what i keep telling myself..
smiles….
did you really just write on on a sleep deprived mind as well…ha..wow…
get some sleep…smiles.
Miriam E. said:
yep, sleep deprived i was – glad it came out half way as intended…
claudia said:
hmmm….good morning….slept like a bear and out on the trail to catch up with the overnites now…
brian miller said:
you know…i am not going to comment on your bear-ness and just nicely say good morning and goodnight…smiles…have a great day claudia…
claudia said:
haha…sleep well…
brian miller said:
alright…off to bed for me now…be back in the morning poets…appreciate those that had a go at it and look forward to seeing a few more…as always, appreciate those out there making this more a community than a piece of corkboard…
punnypalaver said:
Just now reading this and as GM Hopkins is not just one of my favorite poets, but THE favorite, I must attempt this, but tomorrow. . .can’t wait to read the 20 posted already, tomorrow as well.
brian miller said:
i hope you do…looking forward to it…
punnypalaver said:
Thanks, Brian. Well, there it is. I think I followed the alliterative hemistich form–Tony, how’d I do?
brian miller said:
mine was the alliterative heimlich
ha
punnypalaver said:
Funny! Mine was the alternative hippie chick–
ManicDdaily said:
Hi Tony, I found this a very interesting exercise. It really is a marvelous technique. I don’t know that I totally followed it, but I did try to let it inform the piece. I loved the samples you chose – the Auden is terrific and the older English as well. Thanks very much. k.
brian miller said:
g’morning k…
grapeling said:
No poems were injured in the making of my piece. Put down those tomatoes, please. Tony, you’re a fiend. 🙂 ~ M
brian miller said:
ha. what an awesome poem…smiles….
Tony Maude said:
Is that fiend – or did you mean friend?
rosross said:
I am not good at the mechanics but have given it a try.
brian miller said:
think you did quite well ros
heidi said:
I am joining the ranks of “i think I sort of got it but maybe not.” I hope it works. Thanks for the wicked challenge, Tony.
brian miller said:
ha..good to see you heidi…
you dfe have something there…
off to visit with my neice who is in from indiana and drop my boys off for a weekend at the grands…i will be in and out…and catch those visiting…
heidi said:
have a good day brian!
brian miller said:
you too…its friday! woot
gailatthefarm said:
Sadly, I am lost.
brian miller said:
ha. i think most of us were with this one…and few got it completely…but the exercise was fun…
Tony Maude said:
Hi folks,
Sorry I’ve been away from the bar so long; I was leading a creative writers’ group in Edinburgh this morning – and since then I’ve been sweltering in Scottish sunshine. About to hit the trail and catch up with those I haven’t visited so far. Looking forward to seeing what yall have come up with … smiles.
claudia said:
nice… we have sweltering sunshine over here as well… been biking a bit after work..
Glenn Buttkus said:
I got my effort done early enough to link in early, but like so many, I got lost in the stresses and beats; thought I nailed it, but missed a few swings it seems. I did not get on the comments & fellowship yesterday because I was busy with the iphoto album trying to get it to post my 2,081 images taken on the 6,000 mile road trip; finally had to have some help to do it properly; seems I need a card reader in order to save the batteries on my camera, and had to quit letting the computer delete my original images, for it left some kind of glitch between the camera, the card, and iphoto; technology–what a ride!
Tony Maude said:
Well folks, thanks to everyone who rose to the challenge – it was much tougher than it initially looked, so kudos to you all.
It’s time to wash down the floor and tidy the place up, then pass the keys on to the next tender. I believe that Saturday’s prompt (that’s today!!!!) is seasonal – unless you live in the Southern hemisphere … smiles.
Sharp Little Pencil said:
Tony, I was too late for Mr. Stinky, er, Linky! But if you want to take a look at my attempt (I rarely try forms), here it is:
Thanks for a real challenge! Peace, Amy
scotthastiepoet said:
Hi Tony, Just a quick line to say how much enjoyed this post of yours, which also meant something to me… The power of the best of Old Age poetry is often magnficent in a visceral way, but also with such impressively deep echoes and resonances that stretch so powerfully still across the centuries… And how fascinating that a lot of this that catches us and pulls us in – owes so much to such a simple trick or rule, as it has been consolidated over time… Though the magic of it all, of course, is that is not what it was at all really – but rather at the time something initially unseen, uncalculated and intuitively felt towards by souls so hungry to find ways of expressing the experience of mortality – eventually, by endlessly repeated attempts stumbling over patterns that truly made their sentiments sing. Personally, there is so much from across the ages and cultures that inspired and continue to inspire me as a poet – it is often difficult to know where to start… But Beowulf, in particular fits that pattern – as does writers like Ovid for example – who although writing technically in a very different way is curiously still touching me in exactly the same way as the more oral tradition of the Anglo saxon. In fact the whole business of being a poet is such a very complex and many latered one, if you allow it to be of course… and don’t necessarily choose to shelter in the comfort of any one or mix of traditionally accepted code or format – fun as thay are to wrestle with… Of course one then gets labelled as a prose poet or a writer of free blank, or concrete verse. Best not to worry about or indeed accept any labels, I think – as far as I am concerned I am poet – that is it, end of story… And if anyone argues, the easy way to always win is to sit them down and just write simple prose that details the meaning of any poem you have written they want to pick – that always shuts them up, cos the difference between the prose version and the poem itself is always so massive in every way, it speaks for itself and truly makes the point. Back to your post though! And why it touched a nerve and meant something to me…. Primarily because it really reminded me of what the summit of my own particular ambition actually is – namely in terms of via my own repeated search to express feelings, instincts, experiences of life – with light and hope woven in – to do that very same thing and perhaps forge over time new structures, patterns devices that help me sing better. Sometimes, in retrospect (on a good day!) I can actually see this working – looking back on a piece where I might have unknowingly slipped temporarily into a haiku structure for a while, or used repeated homespun patterns of lines, repeated in the one piece, or in different pieces to conjure similar effect of lyricism of emotional impact. Of course, this is just the way I work – one individual’s approach, I guess… If it sometimes risks some folk not considering you to be a poet, because you don’t follow tradtional structures, then that is how it has to be. In a similar way that some might have indignantly claimed that artists like Jackson Pollock or Rothko weren’t proper artists or painters – it matters not… Cos at the end of the day, either the work (giantly in their case!) speaks loudly for itself, or it doesn’t… Anyway enough of a ramble from me, for the time being methinks, Tony – and all inspired by your Bang Bang post! So thanks indeed for poking me so and reminding me of what really matters, with your examples of ou inspired heritage. How lucky we are! Regards Scott Date: Thu, 11 Jul 2013 19:01:14 +0000 To: scotthastie@hotmail.com