Tags
art, concrete poetry, creativity, dadaism, etheree, FormForAll, futurist, Gay Cannon, poetic philosophy, shape poetry, visual poetry, where art and poetry merge
My idea this week was to cover something fun and easy. As we have already looked at the Nonet and the Cinquain, I thought it might be fun to try an Etheree. An Etheree forms a geometric as it is built of words or syllables ascending from one to ten or it can be inverted descending from ten to one or you can build one on top of the other making a double etheree and can keep going for as long as the topic requires. Built of 10 lines of 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 syllables (or words). Etheree can also be reversed and written 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. Or doubled: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 10, 9, 8, 7, 5, 4, 3, 2, 1. As you see when you get to the middle you double the line so if you begin with a reverse etheree 10 to 1, you would repeat 1 and ascend to 10.
However, I couldn’t stop there. While examining the idea of the etheree with the hourglass, diamond, and triangle shapes they make, I thought of all the clever poems I’ve seen that form shapes from apples to reclining figures by using only words. We have had many poets linking with OneStopPoetry and dVersePoets employing this form in extremely sophisticated ways.
I came to know these types of forms are referred to by many names – shape poems, pattern poems, concrete poems to name a few. They are also sometimes referred to as visual poems. Some write about them using the terms interchangeably. Upon deeper research, however, I found there are some important distinctions made particularly regarding shape and concrete poems.
In Alice in Wonderland, Lewis Carrol used the pattern form for The Mouse’s Tale which can be found here. I found that writing poetry is sometimes introduced to school children through this method, giving them a shape such as a ball or an apple and having them write a poem inside that shape about that thing. In an age of computers with html codes this makes sense. Here’s my take on a tennis ball in this method:
Several poets have written shape poems very effectively. Poets have actually been doing this for a very long time. In 1633, George Herbert’s Easter Wings was printed on two facing pages (one stanza per page), sideways, so that the lines would call to mind birds flying up with outstretched wings.
And I found these two clever, modern “shape poems” by Patrick Winstanley:
The first definition of concrete poetry I found was this: A concrete poem is one that takes the shape of the object it describes. So the above poems fit that definition.
This became for some poets very serious poetry. Not done for fun, or tongue in cheek as the two above. These visual poems are related to typewriter poems, and micrography. There are many techniques involved in getting them done. Concrete poetry is a kind of multimedia beginning as I perceive it. Through it art and philosophy converge in poem. The term “concrete” was started in the 1950s by a group of Brazilian poets called the Noigandres. Its principal tenet is that using words as part of a specifically visual work allows for the words themselves to become part of the poetry, rather than just unseen vehicles for ideas. The original manifesto says:
- Concrete poetry begins by assuming a total responsibility before language: accepting the premise of the historical idiom as the indispensable nucleus of communication, it refuses to absorb words as mere indifferent vehicles, without life, without personality without history — taboo-tombs in which convention insists on burying the idea.
The idea resonated with poets and artists of the period. Painters began to incorporate text into their work. Poets began thinking philosophically about the meaning of words. Just as Beth did for our Taboo topic in Poetics this week. I was struck by her post as I was researching this piece at the time.
Richard Lanham argues that language itself must be made of simple parts. That is, the characters that are the building blocks of language must be easy to comprehend and the caligraphy unobtrusive. This is because a reader must be able to internalize an alphabet and effectively look “through” the characters to the meanings they convey. For example, when reading a book, one is often not aware of looking at marks of ink on paper. One is much more aware of the ideas that live under the surface of the words.
This typographical philosophy—simplicity, clarity, transparency—has dominated print culture since the advent of the printing press, Lanham argues. But the twentieth century saw several movements in art and poetry that called this philosophy into question, using typography itself as a medium for meaning, preventing people from looking “through” words and forcing readers to look “at” them.
Around the same time, Dada was gaining strength as a coherent artistic movement in Europe. Rebellious against traditional art forms, Dadaists were concerned with spontaneity, automatic writing, and chance operations. Collage became an important element in both art and poetry, as did typography. Dadaist Tristan Tzara urged poets to cut words out of newspapers, while artist Kurt Schwitters designed poems with anthropomorphic letters—the character “B” with feet and arms, for example. Dadaists were also interested in poems that were ephemeral and erasable, such as poems written in sand or on a blackboard.
Poetic interest in typography returned in the 1950s and 1960s in the form of Concrete Poetry. These were poems that took certain shapes and could only be grasped when seen on a page. Poet Reinhard Döhl, for example, wrote a concrete poem in the shape of an apple made up entirely of the word “apple” and one instance of the word “worm.” Eugen Gomringer’s 1954 poem “Schweigen,” which consists of iterations of the word “schweigen,” a German word relating to silence, which surround an empty, silent space in the third line:
The silent space in the third line is the crux of the poem, wrote scholar Roberto Simanowski in the essay “Concrete Poetry in Digital Media,” because, “strictly speaking, silence can only be articulated by the absence of any words.”
Investigate and decide if you would like to create this kind of poem. I did for the Taboo topic this week with my poem “Word Up“. You can create it in an art application like photoshop or GIMP (a free program that works like photoshop). Or you can make it by hand or in another program and then scan it as a jpg file. It takes a little creativity but after all that’s what you are all so good at. Or build a geometric Etheree or a variation of it and then link here.
claudia said:
now love me some german words in this english speaking pub and you make my day…smiles
another excellent article gay…oh and i tried hard to form my poem but well, well what can i say…worlds away from your artfully built skates gay..
Gay Reiser Cannon said:
The notes on schweigen said it was “about silence” – is it a deeper, more complex word than the English word “silent”? I’m glad this German piece made you happy. It really is the poem that made the convergence of poetry, graphic art, text, art history, and philosophy all come together!
claudia said:
i’d say it’s exactly the same word as the english word “silence” – both words can be used more complex than just stating the absence of talking..
Gay Reiser Cannon said:
Welcome to the pub this beautiful autumn day – the leaves are crunchy outside, the doors are open wide, the air is crisp, sweaters and scarfs are making their annual appearance and we’ve got hot buttered rum on the menu today along with the usual libations. Today we’re talking about fun stuff, making poetry with more than words, turning them into something that says even more by using shapes, words, and arrangements. Looking forward to what you guys will come up with! Let’s have fun!!
Beth Winter said:
I love Lewis Carroll’s “The Mouse’s Tail.” The message is so strong and strikes a chord and the shape fits so perfectly. I think it was the first concrete poem that I remember reading.
Anna Montgomery said:
I’m ill today so I won’t be able to make a new poem but I have a shaped poem (an urn) dedicated to our magical Joy that I wrote in July. I hope it fits the bill. Wonderful article Gay, thank you for researching it.
Gay Reiser Cannon said:
So sorry you’re not feeling well. I think a hot toddy might be just the ticket!
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Beth Winter said:
Hi Gay,
Thanks for the wonderful article. Shape poetry creates unique challenges. I dipped way back to one of my first poems to link up. Considering the sea side theme of my link, I should have something tropical to drink with it… something with paper umbrellas and fruit, please 🙂 Feel free to join me.
Beth
Gay Reiser Cannon said:
Just read it! It was great. How about a Pina Colada – it’s five o’clock somewhere!
Beth Winter said:
Sounds perfect to me. I can reset my clocks and make it 5 o’clock here 😀
brian miller said:
i tried gay….i even downloaded GIMP and failed at my original attempt and just settled for working it out with spacing on blogger….ugh…i will try toplay with it again….fun stuff…cant wait to read everyones…
Gay Reiser Cannon said:
Just read yours – it was divine. But if you want to play with Gimp, let me know. The trick is to press CTRL+L to get layers. It’s like working on glass overlays. When you have the image you like you press CTRL+M and merge them. You can turn the layers off and on by clicking on the EYE shape to the left. That allows you to see what you want. I build it with a background first and then whatever else on the levels above. Anytime. I’ve been using this app for years.
Beth Winter said:
jeeze brian, I love your poem. The imagery is amazing
HopeUnbroken said:
fascinating article. i am often intimidated to try new things, but i am utterly captivated by this, and think i will have to give in!
thanks for sharing this.
steph
Gay Reiser Cannon said:
I know we’ll all be looking forward to it!
Victoria said:
Fun, fun prompt. I might try a new one…the one I’ve posted is recycled!
Gay Reiser Cannon said:
Loved, loved the one you posted!
manicddaily said:
Hi Gay! This is a hard one for me. I pulled something on–err I mean together! I have a long train trip tonight so won’t be online and wanted to put something up. . I love poetry and I love illustration, so I should make more of an effort for shaped poetry, but I’ve always had a prejudice against it. Your exegesis was wonderful and I do want to try it more. I guess I feel it’s a bit overused at times. (That said, it’s another form of expression, and maybe I’m just afraid of it,!) I think I am a bit rushed working–maybe it feels like one more effort, without the immediate pleasure of doing a real drawing. I look forward to seeing what people have done.
Suzy Q said:
I love the endless possibilities this form presents. It brings poetry and art together beautifully. I especially like that German poem “Silence” hollowed out from within by the words!
Gay Reiser Cannon said:
Wasn’t that fine! I think that one poem was the prompt that made me want to include all of this in the article. Thank you for thinking so too.
Gay Reiser Cannon said:
LOVED all three of yours. Everyone should see them. They are spectacular!!
I even tweeted about them!
Mike said:
Suzy – I loved your poems but can’t seem to leave a comment on your blog.
Laurie Kolp said:
Gay- I loved this informative and beautiful post! Thank you!
Uneven Stephen said:
Thank you, Gay, for the informative post and challenging form for all. This is my first attempt at a concrete/shape poem, and I found it to be quite the challenge. After mulling over what kind of shape to use, I decided to use one of my own photos and reworked a much older poem to go along with it.
brian miller said:
dude your shovel was awesome…
hedgewitch said:
A rushed day, Gay, but I have to play. I have one from the past that not only is I hope an appropriate shape or pattern poem, but also fits our pub them for the wine affcicanadoos amongst us. What an excellent, in-depth, and informative article this was–thank you for giving us so much to work with.
hedgewitch said:
affcianaDOS–not doos. sigh. when will I learn to proof read! 😛
Gay Reiser Cannon said:
Ha! I do the same thing – all the time. Getting around to everyone as soon as I can. May have to stop to make dinner, but I’ll be there shortly. Thanks for the kind words and coming by my place too!
Gay Reiser Cannon said:
I was SO WOWed by Anna’s tribute to you. You bring out the best in your readers, Joy.
PattiKen said:
Hi, Gay. Thank you for this fascinating article. I love the challenge. So I’m in, with homage to the violet hour.
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Bodhirose said:
I first tried to write a “mountain shaped” poem but then it wouldn’t copy to my blog properly–I’ll have to keep working on those concrete poems. But I did enter my one and only etheree that I had written some time ago.
I really enjoyed reading all the information compiled here, Gay–thanks for all of your hard work!
Gayle
Gay Reiser Cannon said:
It’s very troublesome. If you have a scanner, print your poem, scan it and save not as a pdf, or text but as some kind of picture file preferably a jpg. Then go to the picture icon on your blog and upload it as it is. Keep it large as the blog will reduce it to 1/2 the saved size. Also you can choose to display it as Large if that makes it easier to read rather than the default medium size. Hope that helps.
Intrigued to read your etheree. (smiles)
Bodhirose said:
I do have a scanner–I’ll try your suggestion, Gay. I sure appreciate your help–thank you.
Gayle
hobgoblin2011 said:
Gay, thanks for doing this one tonight. I’ve dabbled quite a bit in projective verse and to a smaller extent the concrete and shaped forms, but I never heard of Etheree’s before, and that’s saying a lot, as I have at least four pretty comprehensive dictionaries of poetic form. So I was extremely pleased to see one I hadn’t heard of. I think I did it properly, but not too sure. But in any case, it was a blast. Thanks again
Gay Reiser Cannon said:
I may have to tap you for the information in those form dictionaries as I have none unless you count my Thrall*Hubbard – which is a handbook of all literary terms really.
Anna Montgomery said:
The Making of a Poem: A Norton Anthology of Poetic Forms by Mark Strand and Eavan Boland is one I really enjoy.
Gay Reiser Cannon said:
Thanks Anna – I’ll order it. I need one clearly if I’m going to continue with this bi-weekly event!
Jo Bryant said:
A great explanation of this form of poetry – i must admit to playing with it somewhat – but I love the challenge of the different forms.
Sheila Moore said:
Gay, thank you for such a thorough and interesting post on my most favorite type of poetry – shape/ concrete. This is right up my alley 🙂
brian miller said:
nice…been some mad fun to see everyone’s play on this…some great word art out there…keep them coming…
Sheila Moore said:
ok, I just read every one’s entries and I have never had so much fun! I am a shape poem nerd to say the least. Can we do this topic every week? PLEEEEASE? lol – ok, I am a reasonable person….how bout just once a month 😉
Anna Montgomery said:
Hooray, I vote yes on making Sheila happy :)!
Gay Reiser Cannon said:
smiles…see note below! (PS I really like this too)
Gay Reiser Cannon said:
I should have asked you to host it..my bad! I’m glad you approved! I’ve read all the ones so far that have linked and they’re GRrrrreeeaat! Well we can revisit in a while perhaps. It’s not unreasonable to do in Poetics, either, you know! We haven’t discussed the music area yet, but it came along as music/text/art about the same time with a guy named Henri Chopin; but I didn’t delve into it too deep to see how that varied from lyrics/song, but of course, it did!
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dani said:
this is a really FABulous post, Gay! thank you! i’ve been getting more and more into shape and concrete and some-that-i-don’t-know-what-it’s-called visual poetry and really enjoy it, but have been limited by what WordPress allows me to do since i don’t know any HTML, so thank you also for the link to GIMP and the tip about scanning. LOVE your poem!
huge coincidence ~ i learned of etheree in July and had been meaning to try it. my post was already written when i came over to see what you were up to this week. {smile}
and i’ve changed the name of my blog from haiku love songs to my heart’s love songs, though the URL is the same.
thanks for all the time you put into sharing your knowledge! i’m really excited to check out what everyone does this week.
Brendan said:
Every thing that lives is holy, even the verbal worm-holes of shape poems — I’m not a fan of the form, but then something about such constriction makes me think of holiness, and rapture, and the end of the world, and the beginning of others … So I try the shape jig for a while (where it fits) and then let one rip. A failure, I think – so excommunicate me — but then things always look better upside down and backassed! – Brendan
Mike said:
Thanks for this Gay. I love playing around with the Etheree form.
GIMP and shape poems I’ve not tried – but it looks like fun so I’m off to have a go.
ladynimue said:
thank you so much for this prompt !! You brought me back to poetry .. really … I enjoyed writing 🙂
Padmavani said:
Thank you Gay! I have written about a terrible thing that happened…not much of a poem really.. just a narration of sorts in a shape…
Padmavani
Gay said:
Sorry to be making the rounds late today. We had to go into the cancer center for some IV drips this morning and didn’t get back to the island until now. May have to run off to the store and the pharmacy in a bit, but I’ll be stopping in and out all evening. So glad so many more of you linked. Also happy you’re enjoying this “form”! See you in a bit!
Patti said:
Kudos to dVerse and Gay for this fun romp around the world of shape poems. The entries were all great. What a creative bunch! Thanks for a great adventure.
ed pilolla said:
absolutely love serving love. delightful.
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Gay said:
Wonderful poems all. Thank you for joining this week and for your comments at the pub. It’s what make this place feel comfortable and real. I know it’s a real place – Claudia and I met here and now there’s a whole crew to greet you whenever you’d like to stop by!
vivinfrance said:
Darn it, I missed Mr Linky! It can’t have been open very long… liv2write2day told me to post it here: http://vivinfrance.wordpress.com/2011/10/22/breakers/
Ir was written for Brenda’s wordle, and the shape came out of the theme of the poem.
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Types of Poetry said:
What really excites me is the thought of producing my own shape poems. The thought of making one is great that I really can’t wait for my piece. The problem is that I really have to have the shape that best describes my emotion right now. I think it will give the poem a better meaning.
Quirina said:
Very interesting article, Claudia. I landed here because I was studying the form of German poetry (because I am translating some) and Google guided me here … to dversepoets! Extraoridnary, would you not say? 😉