Hi everyone! We have a guest blogger for today’s poetics – Laura Bloomsbury.
Good morning Poets. Perhaps I am being premature with this piece as International Dylan Thomas Day is not until next month. Nevertheless, it is officially Spring now in the Northern Hemisphere, with all its stirring sights and sounds, and Dylan Thomas with his legendary visionary verses conveys these awakenings like a psalm: –
“Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre”
(Holy Spring)
Don’t you just love the words? Thomas certainly did: “my love for the real life of words increased until I knew that I must live with them and in them, always. I knew, in fact, that I must be a writer of words, and nothing else”.
Any cursory reading of both his poetry and prose suggests that logophilia was the lodestar that guided him through his relatively short but productive literary life:
“I could never have dreamt that there were such goings-on
in the world between the covers of books,
such sandstorms and ice blasts of words,
such staggering peace, such enormous laughter,
such and so many blinding bright lights,
splashing all over the pages
in a million bits and pieces
all of which were words, words, words,
and each of which were alive forever
in its own delight and glory and oddity and light”.
Notes on the Art of Poetry (1951)
But as logophile, his were not just inky words for silent readers but rather singing, dancing lyrical chorus lines. He wrote poetry to be heard, and via the listener’s ears, to be seen (hence the reading tours – though he declaimed in very English pulpit tones rather than the lyrical Welsh tongue of readers like Richard Burton).
‘The roaring boyo’ was certainly heard- but not always understood – for comprehension of meaning was not Thomas’ primary concern, not least because his allusive strategies were often elusive and abstruse. Where he does not seem to make sense, we can still relish the sparkling sound and imagery.
The auditory dictum that Dylan Thomas held to is evident in his written criticism of contemporary poetry:
“‘The Death of the Ear’ would be an apt subtitle for a book on the plight of modern poetry Too much poetry to-day is flat on the page, a black and white thing of words created by intelligences that no longer think it necessary for a poem to be read and understood by anything but the eyes.” (The Adelphi 1934)
What then were the literary methods Dylan Thomas utilised to make us use our ears? In short, sounds! A fair sprinkling of onomatopoeia mixed in with assonance and consonance, invariably laid across a sprung rhythm (random bouncing beats that trip off the tongue).
“Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms.”
But as well as these methods which make his poetry easy on the ear, we are jolted into attention by all the rare and glorified twists and turns of grammar. Technically Thomas uses: –
- Transferred epithet in which he liberates the predictable adjective and re-attaches it to another noun in the sentence – “the spellbound horses walking warm/Out of the whinnying green stable.” (Fern Hill)
- Verbing of nouns as well as the nouning of verbs, peppered with personification: “A slap of sea and a tickle of sand. A fanfare of sunshades opening. A wince and whinny of bathers dancing into deceptive water. (A Holiday Memory)
- And last but not least are the word compounds. Here I’ve selected just 25 of the 350 or so hyphenated word-coining he employed: –
BELL-VOICED CRADLE-PETALS DARK-VOWELLED DUST-TONGUED
FIRE-DWARFED GRAVE-GROPING HARE-HEELED HEAVEN-CIRCLING
LARK-HIGH MAP-BACKED MOON-BLOWN MUFFLE-TOED
OWL-LIGHT RINGED-SEA SCYTHE-EYED SHE-BIRD
TEAR-CULLED TIDE-LOOPED WATER-SPOKEN WHALE-WEED
For this Tuesday Poetics I’m asking you to write a poem using at least FOUR of the hyphenated compound words from the above list. Employ as little or as much of Thomas’ other methodologies too as but most of all, let’s love the words!
Once you have published your poem, add it in the linking widget down below and do not forget to visit and read others and share your thoughts with them. I wish you a wonderful way with words.
At the Massachusetts Institute of Technology on March 7th, 1952, Dylan Thomas spoke on his poetry as well as his feelings towards poets and poetry as a whole. Listen to “A Few Words of a Kind”
Or thanks to Jason Kirin, who has has valiantly transcribed the whole speech, you can read it HERE
About our guest host:
I’m a latecomer to poetry writing though I’ve been reading and reciting from the poets since a small child. As psychotherapist (now retired) listening was all important and that has helped with hearing the how and what of poetry too. Even so, I resist rhyme lines and strict structure which is probably indicative of a rebellious nature, a lazy bone and a fear of small spaces!
Björn Rudberg (brudberg) said:
Welcome Laura, so nice to see you hosting at dVerse, and what a wonderful article on how to write. I have often used verbing of nouns, and the compound words has a bit of similarity to kennings of old icelandic poetry I think… but the combination is great and very inspiring.
Laura Bloomsbury said:
thank you for the welcome – glad you are inspired. (Off to read yours now) such fun to play around with grammar and an interesting link up to kennings – Dylan Thomas must have read the Welsh sagas as well the biblical ones
Laura Bloomsbury said:
Good evening – I look forward to reading what others make of Dylan Thomas – so much to emulate but the word-compounds are his touchstone
Grace said:
Thank you for this appreciation of the work of Dylan Thomas. The verbing of nouns and using compound words are good strategies to bring the poem into a different direction. I will be sure to use them in the future.
Laura Bloomsbury said:
Dylan Thomas directed the stage players of ‘Under Milkwood’ to just love the words – that is the direction I hope to go more often (can be too cognitive at times)
Frank Hubeny said:
Thanks for hosting, Laura. Nice sounding selection of compound words from Dylan Thomas. I normally don’t think of combining words together like that, suggesting more than they would separated.
Laura Bloomsbury said:
Spot on Frank – the combinations give added depth. glad you enjoyed them Frank – you certainly did wonders with your four.
kim881 said:
I’m so pleased to greet you as a host this evening, Laura, and delighted that you have chosen to inspire us with Dylan Thomas, with whom I fell in love as a teenager, which pretty much amounts to all my life now! I’ve shared a poem which is in its first draft and which I will develop further at a later time. I really enjoyed this prompt!
Laura Bloomsbury said:
Thank you for the greetings Kim. You have etched a lovely lyrical April morning that links the sea with the woods – I wonder where you will eventually go with this.
kim881 said:
I’ve been working on several pieces inspired by April during NaPoWriMo and I’d like put them together into something longer than usual. It will have to wait for a while as I’m about to embark on GCSE moderation and then exam marking.
Björn Rudberg (brudberg) said:
In Swedish we create compound words all the time (actually we even skip the hyphen)… we have a great freedom in that way in our language.
Jade Li said:
Hi Laura and All. It’s a beautiful thing to love words and be amongst those who love them. Laura, your challenge will be a fun one. Do you have any frambois and Magners on tap? If so, I’ll have a Candy Apple please, if you would be so kind.
Laura Bloomsbury said:
Only serving hyphenated cocktails like hanky-panky tonight
Jade Li said:
Hanky-panky sounds intoxicating, give me a double-dose please.
Laura Bloomsbury said:
alas you would soon be one-over-the-eight
Jane Dougherty said:
Hello Laura! The compound words are so much Dylan Thomas’s inventions, would it be okay if we wrote our own instead? It’s something I often do, and I’m not entirely happy about borrowing something that is another poet’s baby.
Laura Bloomsbury said:
use your own by all means but often in our prompts we literally take inspiration from the lines of the greats
Jane Dougherty said:
Thanks! Under Milkwood has been a tremendous inspiration to my word-building. I take inspiration from the ideas.
Laura Bloomsbury said:
look forward to reading yours Jane
Jane Dougherty said:
Done 🙂
merrildsmith said:
Hi Laura! Thank you for hosting. This post was both informational and fun. I love words!
Laura Bloomsbury said:
\I can tell you do by your contribution Merril – all the best with NaPoWriMo
sarahsouthwest said:
Oh, I love this prompt. The dense beauty of Thomas’s wording, and an excuse to play with it – perfect!
Laura Bloomsbury said:
you took Thomas and made him your own – some wonderful wordsmithing from you Sarah
Laura Bloomsbury said:
and your second offering is sheer poetry!
Charmed Chaos said:
Hi Laura! Thank you for hosting. A wonderful prompt, although mine took a dark turn. I do love words- even tried my hand at making up a compound word of my own in my poem. Posting soon.
Laura Bloomsbury said:
I spotted it! glad you enjoyed the prompt – life-and-death woven in to your poem – a most profound word compounding 😉
Charmed Chaos said:
Thank you!
Frank J. Tassone said:
Good Evening, Poets! Welcome, Laura, and thank you for pubtending tonight! See you all on the poetry trail 😉
Laura Bloomsbury said:
following on…
lillian said:
Hello from Kochi, Japan! I am in the midst of a month-long journey through Asia that began with 4 days in Shanghai before we boarded ship. Have seen so many beautiful places and treasure the days we’ve experienced the beautiful cultures of so many in China, South Korea and Japan. But I’ve have had very spotty internet connection so it’s a delight to finally connect up with my dVerse friends!
Thank you Laura for hosting – I adore this prompt!,
Sadly, I will not be able to read many posts until we arrive home toward the end of April.
Grace said:
Hi Lillian. Enjoy your Asian adventures!
Laura Bloomsbury said:
what a lovely journey to make – you must be enjoying some hanami too
Truedessa said:
Good-Evening – The prompt sounded fun, so I decided to play along. My muse couldn’t resist writing an adventure.
Laura Bloomsbury said:
good that you could join us Trudessa – will be popping over to see soon
calmkate said:
Fascinating prompt thanks Laura … decided on something very different!
I’m reading other peoples but the non-WP blogs are sometimes quite complicated to leave messages on, sorry fellow poets!
Laura Bloomsbury said:
Blogger and WP are not very friendly to each other and it is hard sometimes to leave comments – I have a Google profile too which helps…
….Meanwhile am intrigued by your different take on the prompt – stopping by soon
calmkate said:
thanks for that explanation, guess they are diametrically opposed 🙂
Grace said:
Using or having a google profile helps a lot in the commenting on non-WP bloggers. I appreciate those who take the time and extra step to comment on other’s poems.
calmkate said:
I’m trying but don’t have a google profile, does that mean joining google +?
Laura Bloomsbury said:
Some Blooger blogs only have a Google profile option for comments others have a drop down option which can also include Name/URL so these you can leave comments on without a google profile
Laura Bloomsbury said:
My daughter has Welsh blood and could not resist this prompt so I’ve posted her poem as guest on my site – she has called it ‘Son of the sea’ as that is what Dylan means
Grace said:
I see you have added her poem to Mr. Linky. Will be stopping in a bit to read her poem. How lovely to have a daughter who is also a poet.
Laura Bloomsbury said:
she surprised me!
robtkistner said:
I am late to the party! Thank you for hosting Laura. This is a fun prompt. I have written a Poe-inspired Tanka, using four of your posted DT compound words, plus a few of my own.
Laura Bloomsbury said:
The best people arrive late – I’m usually one of the last but had the advantage for an early start this time 😉 Off to read yours now
Sabio Lantz said:
I had fun with this Laura: I just updated my soundcloud reading to match the mood.
Laura Bloomsbury said:
Yes I listened – you have caught the mood of your poem – having fun is half the fun – thank you for participating