Welcome poets and Happy Independence Day to those of you from the United States. For today’s Meeting the Bar: Critique and Craft we will be reviewing atmosphere, also sometimes referred to as mood. Atmosphere is the feeling of a poem and diction, style, tone, theme, sound devices, enjambment or punctuation, length of line, setting, imagery and subject can all contribute to creating a mood. Consider the following two poems and how they present contrasting atmosphere on the same subject.
In Time Of Silver Rain
Langston Hughes
In time of silver rain
The earth puts forth new life again,
Green grasses grow
And flowers lift their heads,
And over all the plain
The wonder spreads
Of Life,
Of Life,
Of life!
In time of silver rain
The butterflies lift silken wings
To catch a rainbow cry,
And trees put forth new leaves to sing
In joy beneath the sky
As down the roadway
Passing boys and girls
Go singing, too,
In time of silver rain
When spring
And life
Are new.
Wanting to Die
Anne Sexton
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don’t always die,
but dazzled, they can’t forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death’s a sad bone; bruised, you’d say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love whatever it was, an infection.
In the first we are left uplifted, renewed and in the second there is a mood of melancholy and resignation. The short, crisp lines of the first, without punctuation, drive us forward and present an optimistic energy. Here the variation in line length gives a sense of novelty. The second poem is weighed down by its longer lines, heavy punctuation and uniformity, giving a sense of monotony to its subject. Words like new, silken, singing and wonder propel the first while still-born, wound, prison, and infection tell us about the second poet’s attitude toward life. Hughes uses repetition like a rallying cry, Sexton avoids sing song sounds to permeate the poem with intensity. In addition you may have noted that In Time Of Silver Rain uses its outdoor setting to instill a sense of expansiveness and space. In contrast, Wanting to Die plays into its interiority to fill the reader with a sense of claustrophobia and stifling sadness.
As you work on your offering reflect on how all your poetic tools contribute to mood. If you’d like, please tell us a bit about your process and choices at the end of your post. While reading others consider giving them feedback specifically about how the poem made you feel, which things stood out in creating atmosphere/mood, and anything else you’d like to add. This will help the author know what was effective in establishing atmosphere and will be useful feedback.
To participate:
• Copy the direct link to the URL and paste it, along with your name, in the Mr. Linky at the bottom of this post.
• Engage in community building, a primary principle here at the pub, by investigating the work of others, reading and commenting. One of the best ways to become a better poet is to read and reflect on the work of your peers. Please provide positive, constructive feedback and appreciation. It’s how we show respect for one another at the pub.
• Share your work and that of others on your social networks. Encourage other poets to join us here at the pub.
nice…i love langston hughes…i think about mood often as i write….choosing the words that will accentuate what i am trying to say, adjusting the rhythm, line breaks are another great tool…longer lines to slow it down, a cascade of short ones to speed it up…action words….the rhythm, loose or tight…lots to play with…fun..
its a holiday here so i will be hit n miss a bit…making homemade ice cream right now…3 flavors…yum…a chocolate, a grapenuts and a vanilla to add fresh fruit…
have a great thursday…happy 4th to the americans in the pub…happy canada day belated….
see you out on the trail….
Glad I picked someone you enjoy. I found the poem in a lesson on mood and immediately thought of Plath or Sexton for contrast. I too will be in and out due to the holiday. You make an excellent point about rhythm.
all this atmosphere talk has me singing ‘drops of jupiter’ by train…ha…
That makes sense – especially with Hughes’ rain :).
cause she acts like summer and walks like rain…
Yummy on the food ~ Have a great celebration & corrected my typo error ~ Thanks & smiles ~
smiles..happens to the best of us…
ice cream is out of the grind///stirrer and in the freezer to set…
now to sit in the anticipation…smiles.
hmmmm nice…home made ice cream sounds wonderful…enjoy… and happy independence day
Great offering and happy 4th of July for all in the US. I look forward to read poetry and great critique on this… Have gone way out of my comfort zone in today’s poem.
Thanks Bjorn, it was easy once I found the right poems :).
woot…its good to get out of that comfort zone…smiles…
Of course it is, for other’s it’s to write sonnets 🙂
um yeah, think i will stay away from that one…ha…form is out of my comfort zone…smiles.
like the musician has its tools to create atmosphere in a song, we poets have as well.. i won’t forget how i learned in a piano lesson that the exchange of just one tone in a chord makes it moll instead of dur – moll stands for melancholic, soft, dur for hard, bright, brilliant.. just a vey small thing but it changes the mood of a piece completely… cool on focusing on the tools we have as poets – i have to confess that i use them most of the time rather unconsciously and so it’s cool to really have people name them on their posts and let them explain what they did…
When I compose I think about atmosphere a lot, it’s amazing how much difference the key makes. One note, like one word can shift so much. Great points, Claudia.
..and sometimes a comma can change everything…ha…smiles
most def…one pause and you might miss the bus…smiles.
Great atmospheric poems – I really, really like this prompt. To me, poetry is all about atmosphere and trying to convey it through sound, imagery and repetition or lack thereof.
Thanks, they broadcast atmosphere so I thought they would likely prove to be good examples. Happy to hear you find the prompt engaging:).
Thank you for another insightful post Anna ~ I am learning from the examples ~
Happy 4th to our American friends & I will be comment & visit when I get home ~
Wonderful, see you then.
have a safe drive back from work grace and happy belated canada day
Anna, thanks for a fabulous lesson! I love both Hughes and Sexton, so grateful that you chose them. Looking forward to reading everyone’s work.
You’re very welcome!
i find hughes awesome as well…fell in love when i first read “i too am america” still one of my favs by him.. i have his collected poems..
yep have that book as well…
Realize how much poetry I need to read 🙂 Found both one great in their own way.
Anna, I love the topic and I really enjoy examining the works of others in detail. I wish I saw more of it more on our blogs. I’m very glad you doing it here. I’m never sure if it’s time constraints or lack of interest that has diminished this kind of dialogue. Anyhoo, thrilled that you’re asking for it today. Not sure if I’ll post a work. Nothing new at the moment. Let me throw it out there if anyone is ever interested in my process and approach to any work at b&g, please engage me. I welcome and enjoy a thoughtful critique or observation.
Now, about how I write in general. I rely heavily on sound. Claudia, I played violin. Not well and it isn’t so much the discipline of music but my affinity for how sound affects a read that I’m drawn to sound first. I remind myself that poetry is meant to be read aloud and earliest poetry was recited. The written page is a luxury. My earliest experiences with poetry was reading it aloud and later as an adult attending readings on campus and poetry open mics which ran the gamut of a traditional reading to slam poetry. At open mic and readings, sound, delivery, pitch are as important as the content.
I learned about forms later the more I read and the more I interacted with poets who were readers as much as they were poets.
In college, from one of my favorite professors I learned the value of word choice, economy and the impact of word choice (highly recommend Mary Oliver on this matter. She has quite a bit to say).
Anolther poet who influences how I approach writing and reading poetry is Edward Hirsch. Highly recommend his How to Read A Poem and Fall In Love With Poetry.
I have a long list of poets who I look to for inspiration and guidance. Huges is among them. As I said I’m drawn to sound devices, favorites: assonance and consonance. In this vein, I think of Sonia Sanchez, Nikki Giovanni, Audre Lorde and maybe Nuerada?
Line lengths. Oh, my I lean towards shorter but I love longer ones and with form I find it easier to draft longer lines. In narrative, prose and other longer forms, I like Jane Kenyon, Donald Hall, Carolyn Forche, Galway Kinnell and William Stafford.
Oh, Anna, thank you so much for the topic. I am so excited that it was hard to focus and to be succinct.
Off to read.
found you in the spam filter…usually happens the first time some one show up…were you using a different IP maybe…i dunno…found you…
i love nikki giovanni…she was one of the first poets that really spoke to me…i love her playfulness…got to meet her too and spend a bit of time talking which was really cool…
i rely more and more on sound…it was not something i did when i first started…it was more about 9 months into my poetic journey when i discovered slam that i started really listening to the way words played with each other…
Brian, no clue if I’m using different IP. Sometimes I write from my Kindle. I saw Nikki
Giovanni in college. It was the first jaw-dropping, awestruck moment for me. She was amazing. I own almost all her work.
Thanks for fixing my post. I was so afraid all my attempts were going to show up.
me too..i want to sit one of her classes at Tech…
and i dunno why it keeps sucking you into the filter….weird…
Wow, lots of great information! I’ve read Mary Oliver’s A Poetry Handbook and some of the poets you recommend :).
I love this post, Anna, and the amazing contrast between the two stellar poets. I want so much to add something, though it won’t be today because of company coming…but maybe tomorrow? I wish you a Happy July 4th!
Thanks so much Victoria; I look forward to it. Happy 4th!
Love this topic. Not able to comment though on my browser.
well you made me hungry…ha.
lol. I like to eat. Can’t you tell?
Happy 4th of July People!!!! 🙂
happy 4th…fun little ride you put us on…
O thanks! I’m glad you made the ride and I so appreciate the tweet 😀
no prob…i added @dversepoets so a few more might find it too…smiles.
Very interesting article, Anna. Really enjoy thinking about atmosphere and probably need to utilize it more. It has been a long day here, and guests just left so I don’t guarantee I will get anything written, but you have got me thinking. Happy Independence Day to those celebrating today.
Yes, the holiday has kept me away too – hope your day was lovely.
Atmosphere. This time I tried to build heat, which I sometimes enjoy. Hughes and Sexton are among my favorite poets. I did not want to read the Sexton today–I can never stay aloof from it. But a little Gardening lifted my mood.
just got back from fireworks….
and out to see what people are bringing…
I understand what you mean with Sexton; I can’t garden here on the mountain but I hear it does wonders :).
good morning… back and catching up with the overnites…need a coffee first though..smiles
smiles…on my way out….time to sleep…see you in the morning…
yes…see you in the morning…sleep well… so tired… will fall asleep on my bike i guess…smiles
this topic couldn’t come at a better time, it’s like you saved my poetic day – sometimes I get down about this stuff, like why did I let myself get hooked, because it seems like nothing good will come from it, because I think I understand but then realize I don’t.
But when I read stuff like this, I get really excited, interested, again, and ache to set everything aside and experiment, explore, see how they turn out – so I’ll see what I have that could be a contribution as well as checking out some other works.
Fascinating aspects of this crazy art.
so now this feeling. I felt the same way when I read Anna’s post.
Wow, this is fantastic! Thanks for letting me know.
Well, I’ve given it a go. Tried to vary the atmosphere a bit. – would appreciate a candid critique for this one.
Happily, I’ll be by later today as I’m a bit behind from the holiday.
I didn’t write this for Anna’s prompt, but it seems like a fairly good fit. She’s usually tolerant of the ol’ redneck, so maybe she’ll let it slide.
It’s one of my disjointed ramblings, so take it where you will–or, maybe, let it take you. Six of one, half a dozen of the other, I reckon.
Of course, I’ll be by later today :).
Hey Anna – Wonderful choices of poems. I was, I’m embarrassed to say, fitting a few prompts involving some severe editing so did not go as atmospheric as I might. On the other hand, shorter is sometimes better (for readers at least!) Take care, k.
No worries, it’s just an aspect and doesn’t need to be the entire focal point. I look forward to it.
great prompt, Anna, I only hope I’ve done it justice…
if for nothing else that one stanza…it was worth every bit…you did well…smiles…
just coming in from 4 wheeling and dirt biking at a neighbors…i’m a mess but catching up….
I’m sure you have :). I’m taking my time with feedback but hope to get to everyone today.
I was too late: https://symbolsinmyhead.wordpress.com/2013/07/06/the-wanderer/
I caught it here in the comments; thanks for linking up :).
Anna, what a brilliant post!
The way you present this constrast in mood style is so thorough yet easy to understand. Thank you.
Thanks Aprille!
When one is trying to convey sad feelings, the tone would usually be grieving, mournful, and slow. Dragged-out long vowels or heavy sounds, for example, might be used to create such effects. However, this poem, when read out in a certain way, can actually be quite fast-paced, with a rather perky air. The all-too-rhyming rhymes, such as “rot”, “drop”, “crop”, sounds rather chipper. It does not seem to bring out a very sad or gloomy atmosphere.
MOOD: The atmosphere that pervades a literary work with the intention of evoking a certain emotion or feeling from the audience. In drama, mood may be created by sets and music as well as words; in poetry and prose, mood may be created by a combination of such elements as SETTING, VOICE, TONE and THEME. The moods evoked by the more popular short stories of Edgar Allen Poe, for example, tend to be gloomy, horrific, and desperate.